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After the dissolution of his early group called Ultimate Force, Diamond D and the D.I.T.C. crew debuted in 1992 as Diamond and the Psychotic Neurotics with one of underground hip-hop's classic LPs: 'Stunts, Blunts and Hip Hop'. This three part blog post will cover the sample sources (and man, are there a lot of them) for Diamond D's epic.On the 'Intro' track to 'Stunts, Blunts', Diamond samples folk rocker James Taylor's 1967 album 'James Taylor and the Original Flying Machine''s album cut 'Knockin 'Round the Zoo'. Diamond also produces the cut 'Best Kept Secret', the oldest track on the album, by sampling Booker T. and the M.G.'s 'Green Onions', Three Dog Night's rock cut 'I Can Hear You Calling', Kool and the Gang's breakbeat cut 'N.T.', and Johnny Pate's title track to the 1973 soundtrack of the movie 'Shaft in Africa'. On 'Sally Got a One Track Mind', Diamond D samples 'Sparkling in the Sand' by the Tower of Power and the classic Skull Snaps break 'It's a New Day'. Showbiz (of Show and A.G. fame) and Diamond D produced the cut 'Step to Me' by sampling the Delfonics' soul classic 'Ready or Not (Here I Come)' and 'Fight Back' from Solomon Burkes' cut from the 1972 soundtrack of 'Cool Breeze'. Lakim Shabazz and Diamond produced the Psychotic Neurotics classic 'F--- What You Heard' with samples from 1970's Donny Hathaway self titled album cut 'Magnificent Sanctuary Band' and John Handy's 1977 song 'Alvina' from his album 'Carnival'.
Check back for part 2 of our look at 'Stunts, Blunts and Hip-Hop'.The Lowdown:
Diamond and the Psychotic Neurotics 'Intro', 'Best Kept Secret', 'Sally Got a One Track Mind', 'Step to Me', and 'F--- What You Heard'
from 'Stunts, Blunts, and Hip Hop' (1992) (MP3/CD)
James Taylor 'Knockin 'Round the Zoo'
from 'James Taylor and the Original Flying Machine' (1967) (MP3 not available/CD)
Booker T. and the M.G.'s 'Green Onions'
from 'Green Onions' (1962) (MP3/CD)
Three Dog Night 'I Can Hear You Calling'
from 'Naturally' (1970) (MP3/CD)
Kool and the Gang 'N.T.'
from 'Live at P.J.'s' (1972) (MP3/CD)
Johnny Pate 'Shaft in Africa (Addis)'
from 'Shaft in Africa' (1973) (MP3/CD not available)
Tower of Power 'Sparkling in the Sand'
from 'East Bay Grease' (1970) (MP3/CD)
Skull Snaps 'It's a New Day'
from 'Skull Snaps' (1973) (MP3 not available/CD not available)
The Delfonics 'Ready or Not (Here I Come)'
from 'The Sound of Sexy Soul' (1968) (MP3/Import CD)
Solomon Burke 'Fight Back'
from 'Cool Breeze' (1972) (MP3 not available/CD not available)
Donny Hathaway 'Magnificent Sanctuary Band'
from 'Donny Hathaway' (1970) (MP3 not available/CD)
John Handy 'Alvina'
from 'Carnival' (1977) (MP3 not available/CD not available)
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Welcome to part 3 of our three-part look at the Notorious B.I.G.'s album 'Life After Death'.
Puff Daddy, Steven Jordan, and the Hitmen sample the late Delfonics single 'Hey! Love' from their fourth album 'Tell Me This is a Dream' for Biggie's album track 'Playa Hater'. The same production team sampled Liquid Liquid's NYC breakbeat anthem 'Cavern' (previously covered in depth on this blog) for the hit single 'Nasty Boy', complete with one of hip-hop's nastiest intros. Biggie's 'The World is Filled...' with Too Short and Carl Thomas features the use of one of my favorite, unusual breaks: Asha Puthli's 'Space Talk' (not so easy to find, so I'm surprised you can download it from Amazon) from her 1978 album 'The Devil is Loose'. The track's production is credited to D-Dot and Puff Daddy. The Wu's RZA makes a late album production appearance on the track 'Long Kiss Goodnight' and samples Wu-stand by Al Green's excellent 'Green is Blues'-era cover of 'The Letter'.
Released only a few weeks after the Notorious B.I.G.'s murder, the double album debuted at #1 on the Billboard charts and amassed a string of hits. Some verses from Biggie would appear later that year on Puff Daddy's solo outing 'No Way Out' and in the decade proceeding Biggie's death, no less than two terrible cash-in projects were released with unearthed verses and guest vocalists (1999's 'Born Again' and 2005's 'Duets: The Final Chapter'... lets hope it's the final chapter). Despite additional albums produced after his death, the Notorious B.I.G.'s legacy is complete with his two studio albums - two of hip-hop's most endearing works.The Lowdown:
The Notorious B.I.G. 'Playa Hater', 'Nasty Boy', 'The World is Filled...', and 'Long Kiss Goodnight'
from 'Life After Death' (1997) (MP3/CD)
The Delfonics 'Hey! Love'
from 'Tell Me This is a Dream' (1971) (MP3 not available/CD)
Liquid Liquid 'Cavern'
from 'Optimo' (1982) (MP3 not available/CD not available)
Asha Puthli 'Space Talk'
from 'The Devil is Loose' (1978) (MP3/CD not available)
Al Green 'The Letter'
from 'Green is Blues' (1972) (MP3/CD)
One of 1996's most widely acclaimed and commercially successful albums is also one of the most densely produced albums of the year. Fugees' sophomore album, 'The Score', led with three charting smash hits, repainted the landscape of pop and hip-hop with dark atmospheric beats that feel like a humid, murky swamp.
'Ready or Not' was the third single from the album, and though not as big of a hit at the time, the track is now one of the album's classic cuts. The chorus is an interpolation of the Delfonics classic 'Ready of Not, Here I Come (Can't Hide from Love)', an essential slice of Philly soul. 'Ready or Not' also includes samples from 'Django' by the Modern Jazz Quartet, 'God Made Me Funky' by the Headhunters, and most strangely 'Boadicea' from Enya's new age feel good album 'The Celts'. Like whoa. |
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The tense deep album track 'Zealots' has a quick vocal interpolation of 'I Only Have Eyes for You' by the Flamingos. The album's first single, the Salaam Remi produced 'Fu-Gee-La' features an interpolation (anyone see a pattern?) of Teena Marie's 1988 single 'Ooo La La La' from her album 'Naked to the World'. The song additionally samples Ramsey Lewis' hit '(If Loving You is Wrong) I Don't Want to Be Right'.
Check back for part 2 of 'The Score'.The Lowdown:
Fugees 'Ready or Not', 'Zealots', and 'Fu-Gee-La'
from 'The Score' (1996) (MP3/CD)
The Delfonics 'Ready or Not, Here I Come (Can't Hide from Love)'
from 'The Sound of Sexy Soul' (1968) (MP3/CD)
Modern Jazz Quartet 'Django'
from 'Pyramid' (1959) (MP3/CD)
Headhunters 'God Made Me Funky'
from 'Survival of the Fittest' (1975) (MP3/CD)
Enya 'Boadecia'
from 'The Celts' (1986) (MP3/CD)
The Flamingos 'I Only Have Eyes for You'
from 'Flamingo Serenade' (1959) (MP3 not available/CD)
Teena Marie 'Ooo La La La'
from 'Naked to the World' (1988) (MP3/CD not available)
Ramsey Lewis '(If Loving You is Wrong) I Don't Want to Be Right'
from 'Funky Serenity' (1973) (MP3 not available/CD)
BONUS CUTS:
Here are two cuts to diversify your Fugees medley at the clubs: Sly and Robbie's remix of 'Fu-Gee-La' (which is the only reason to own the lamely packaged Fugees 'Greatest Hits' album, trust me) and the 12" mix of 'Ooo La La La' by Teena Marie. Have fun.
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Continued from out last post, this is the second half of my examination of Nas' 'It Was Written'.
The Firm's first official appearance landed on 'It Was Written''s mid-album track 'Affirmative Action'. Although the ill-fated team-up of Nas, AZ, Cormega, and Foxy Brown was one of hip-hop's most talent squandering fiascos, the beat jacked from Otis Redding's 'Hard to Handle' courtesy of the Trackmasters and Dave Atkinson is a killer. 'Life's a B----' producer L.E.S. joins the Trackmasters for 'Black Girl Lost', which plunders 'Starlight' by Stephanie Mills. L.E.S. also produced 'Suspect', using a sample from Chuck Mangione's 'El Gato Triste' from his album 'Land of Make Believe'.
The shining star on 'It Was Written' appears at the very end. Nas and Lauryn Hill scored a major hit with 'If I Ruled the World (Imagine That)', produced by the Trackmasters and Rashad Smith. Lauryn's chorus takes cues from 'If I Ruled the World' by Kurtis Blow and 'Walk Right Up to the Sun' by the Delfonics. The best is jacked from Whodini's electro single 'Friends'. When all of these sources came together, 'If I Ruled the World' sounded both dated and brand new. The track still stands the test of time as one of Nas' finest mainstream moments.The Lowdown:
Nas 'Affirmative Action', 'Black Girl Lost', 'Suspect', and 'If I Ruled the World (Imagine That)'
from 'It Was Written' (1996) (MP3/CD)
Clean Edits: 'Affirmative Action', 'Black Girl Lost', 'Suspect', and 'If I Ruled the World (Imagine That)'
Otis Redding 'Hard to Handle'
from 'The Immortal Otis Redding' (1968) (MP3/CD)
Stephanie Mills 'Starlight'
from 'Whatcha Gonna Do With My Lovin'' (1979)(MP3 unavailable/CD unavailable)
Chuck Mangione 'El Gato Triste'
from 'Land of Make Believe' (1973) (MP3/CD)
Kurtis Blow 'If I Ruled the World'
from 'America' (1985) (MP3 unavailable/CD unavailable)
The Delfonics 'Walk Right Up to the Sun'
from 'Tell Me This is a Dream' (1971) (MP3 unavailable/CD unavailable)
Whodini 'Friends'
from 'Escape' (1984) (MP3 unavailable/CD unavailable)