Five On It: June 2009's Essentials

Welcome to our latest installment of Five On It, the five essential beats covered in the last month that you need to add to your library of samples. Five On it has been running strong, every month I worry about picking five new breaks that haven't been given Five On It status before, but we always easily come up with five more, June being no exception.

This track is the second early hip-hop joint given Five On It status, but it's huge: Kurtis Blow's 'The Breaks'. Whether it's the opening handclap shout outs or its many breakdowns, 'The Breaks' is full of samples and still rocks the party hard. This track was sampled by DJ Premier for KRS-One. Next is another big 80s tune that still resonates with kids who were born after the 80s: Mtume's 'Juicy Fruit', famously sampled by the Notorious B.I.G. and Warren G. Lil Wayne's 'Tha Carter III' is responsible for breathing a little more life into Nina Simone's already amazing read of 'Don't Let Me Be Understood'. Look below for more on this classic song. Dilla sampled the hitting song 'I Got Some' by Billy Garner, one of my favorite funk cuts which has a solid intro break and a memorable sample. Finally, we had a post dedicated to Edwin Starr's 'Easin' In'. More blaxploitation bangers are sure to follow, we've covered a few, but there are plenty more to talk about.

The Lowdown:
Kurtis Blow 'The Breaks'
from 'Kurtis Blow' (1980) (MP3 not available/CD)
Mtume 'Juicy Fruit'
from 'Juicy Fruit' (1983) (MP3/CD)
Nina Simone 'Don't Let Me Be Understood'
from 'Broadway - Blues - Ballads' (1964) (MP3/CD)
Billy Garner 'I Got Some'
from 'I Got Some' 7" (1971) (MP3 not available/CD not available)
Edwin Starr 'Easin' In'
from 'Hell Up In Harlem' (1974) (MP3 not available/CD not available)

Bonus Cuts:
Even though Nina Simone was the first person to record the song 'Don't Let Me Be Misunderstood', the recording is probably best known for its versions by the Animals (1965) or Joe Cocker (1969). I'm usually not into disco songs and especially disco covers, but Santa Esmeralda delivered a quality version of 'Don't Let Me Be Misunderstood' in 1977. Bonus, a new re-release of the single features instrumental and acapella versions of Santa Esmeralda's cut.

Rewind: Lil Wayne 'Tha Carter III'

Maybe it's me, but it does not at all feel like 'Tha Carter III' was released on this date last year - Lil Wayne has easily given the American consciousness three years worth of crazy in just the last 12 months since his album finally dropped. This post will cover the sample material used by Wayne and his production cohorts for 2008's massive album 'Tha Carter III'.

The album's undeniable cut is the throbbing smash single 'A Milli' produced by Bangladesh. The song contains a sample from Norman Cook's remix of 'I Left My Wallet in El Segundo' from A Tribe Called Quest's 1989 UK version of the single. The Kanye produced track 'Comfortable' that posts Lil Wayne up with Babyface (uh?) includes a sample from another Kanye West produced track: 'You Don't Know My Name' from Alicia Keys' 2003 album 'The Diary of Alicia Keys'. As previously covered on this blog, Swizz Beatz produces a very un-Swizz sounding beat for Lil Wayne's 'Dr. Carter' by looping fragments of David Axelrod's 'Holy Thursday' bass and drum breakdown.

Kanye West also produced the song 'Let the Beat Build' on 'Tha Carter III' using a sample from ex-Temptation Eddie Kendricks' 'Day by Day' from the 1972 album 'People... Hold On'. Probably the most well known use of another song on the album is Wayne's vocal interpolation of the Rolling Stones' 'Play with Fire' on his own track 'Playing with Fire' produced by StreetRunner. Since the interpolation was never licensed, the track has been removed from newer copies of 'Tha Carter III' and undoubtedly there is some kind of cash settlement (lesson: clear those samples). Finally, Rodnae and Moussa produce a scorcher for Lil Wayne, the nearly ten minute 'DontGetIt', by sampling Nina Simone's 1964 cover of 'Don't Let Me Be Misunderstood' from her classic album 'Broadway - Blues - Ballads'.

In a year when record sales were few and far between, Wayne managed to do the unthinkable: go platinum in one week (I'm going to date myself, but I remember when 'Doggystyle' did the same thing, and it was a HUGE deal - and that was when people actually bought CDs). So far, the album is three times platinum and Lil Wayne is showing no signs of slowing down with more albums planned and mixtapes released.

The Lowdown:
Lil Wayne 'A Milli', 'Comfortable', 'Dr. Carter', 'Let the Beat Build', 'Playing with Fire', and 'DontGetIt'.
from 'Tha Carter III' (2008) (MP3/CD)
Clean Edits: 'A Milli', 'Comfortable', 'Dr. Carter', 'Let the Beat Build', and 'DontGetIt'.
A Tribe Called Quest 'I Left My Wallet in El Segundo' (Vampire Mix)
from 'I Left My Wallet in El Segundo' (1989) (MP3 not available/CD not available)
Alicia Keys 'You Don't Know My Name'
from 'The Diary of Alicia Keys' (2003) (MP3/CD)
David Axelrod 'Holy Thursday'
from 'Songs of Innocence' (1968) (MP3/CD not available)
Eddie Kendricks 'Day By Day'
from 'People... Hold On' (1972) (MP3 not available/CD not available)
The Rolling Stones 'Play with Fire'
from 'Out of Our Heads' (1965) (MP3/CD)
Nina Simone 'Don't Let Me Be Misunderstood'
from 'Broadway - Blues - Ballads' (1964) (MP3/CD)

Related Posts:
Producer Profile: David Axelrod (Part 2, 1968-1969)

Rewind: Notorious B.I.G. 'Life After Death' (Part 1)

It's hard to believe, but the Notorious B.I.G. released only one solo album during his lifetime, 1994's 'Ready to Die' (previously covered in depth on this blog here, here, and here). Biggie's follow up album was finished before his untimely murder in 1997 - his second, prophetically named studio album 'Life After Death' was released less than a month after his death. This three part post arc will cover the music of 'Life After Death', the producers, and the sample sources.

The Dramatics' excellent single 'In the Rain' is the basis for the Carlos Broady, Nashiem Myrick, and Puff Daddy produced album track 'Somebody's Gotta Die'. The album's smash hit is the unstoppable 'Hypnotize'; a decade later it is still nitro on the dancefloor. The production team of D-Dot, Ron Lawrence, Puffy and the Hitmen sampled the breakdown of Herb Alpert's 'Rise' and heavily interpolates the lyrics from Slick Rick and Doug E. Fresh's 'La Di Da Di'. One of my favorite Biggie cuts is the DJ Premier produced B-side 'Kick in the Door' that makes remarkable use of Screamin' Jay Hawkins' 1950s voodoo freakout 'I Put a Spell on You'. Truly awesome work by Primo. Easy Mo Bee, returning from his work on 'Ready to Die', laces B.I.G. with the beat to 'I Love the Dough'. The track features a guest spot from Jay-Z and Angela Winbush from René and Angela on the hook, who happens to be the source of the track's sample: 'I Love You More' by René and Angela.

Check back for part 2 of our look at 'Life After Death'.

The Lowdown:
The Notorious B.I.G. 'Somebody's Gotta Die', 'Hypnotize', 'Kick in the Door', and 'I Love the Dough'
from 'Life After Death' (1997) (MP3/CD)
The Dramatics 'In the Rain'
from 'Whatcha See is Whatcha Get' (1971) (MP3/CD)
Herb Alpert 'Rise'
from 'Rise' (1979) (MP3/CD)
Slick Rick and Doug E. Fresh 'La Di Da Di'
from 'The Show' (1985) (MP3 not available/CD not available)
Screamin' Jay Hawkins 'I Put a Spell on You'
from 'I Put a Spell on You' (1956) (MP3 not available/CD not available)
René and Angela 'I Love you More'
from 'Wall to Wall' (1981) (MP3 not available/CD not available)

BONUS CUTS:
'I Put a Spell on You' is a classic cut and has been covered (not to mention sampled) many times. Two notable covers of the song are Nina Simone's take on 'I Put a Spell on You' from 1964 and Creedence Clearwater Revival's cover from 1968.

Five On It: October 2008's Essentials

Welcome to October's Five On It - the most essential breaks of the past month in one place.

It should be no surprise that James Brown is the most tagged artist name on this blog and with beats like 'Hot (I Need to Be Loved Loved Loved Loved)' from our first post about Above the Law's 'Livin' Like Hustlers', you can be sure that we'll keep covering the godfather of soul. On the second part of our look at 'Livin' Like Hustlers', we covered Isaac Hayes' album track 'Hyperbolicsyllabicsesquedalymistic' from his classic 'Hot Buttered Soul'. Along with 'Walk on By', 'Hot Buttered Soul' is an essential album for both music lovers and producers looking for beats.

Nina Simone's 'Sinnerman' was featured on this blog's second Kanye West Producer Profile post along with two bonus reggae covers. Check out our review of Das EFX's 'Dead Serious' for our mention of the Emotions' break on 'Blind Alley'. The same post contains the first mention of ESG's essential breakbeat track 'UFO'. Check below for some bonus ESG treats.

The Lowdown:
James Brown 'Hot (I Need to Be Loved Loved Loved Loved)'
from 'Hot!' (1976) (MP3 not available/CD not available)
Isaac Hayes 'Hyperbolicsyllabicsesquedalymistic'
from 'Hot Buttered Soul' (1968) (MP3/CD)
Nina Simone 'Sinnerman'
from 'Pastel Blues' (1965) (MP3/CD)
The Emotions 'Blind Alley'
from 'Untouched' (1971) (MP3/CD)
ESG 'UFO'
from 'ESG' (1981) (MP3 not available/CD not available)

BONUS CUTS:
Emerald, Sapphire, and Gold - shortened to ESG - was made of three Bronx sisters from the Scroggins family with an additional guitarist and bassist (later replaced by even more Scroggins family members). Their United States debut was 1981's self titled 6-track EP, but their first recordings were for the UK's Factory Records. Martin Hannett (best known for his work with Joy Division, New Order, and the Happy Mondays) produced three tracks for ESG's debut single 'You're No Good' which features 'UFO', 'You're No Good', and the amazing dance track 'Moody'. All three tracks made up the A-side of the US release of 'ESG' with three new tracks on the B-side.

Producer Profile: Kanye West (Part 2, 2001-2002)

Kanye West's commercial breakthrough as a producer came in 2001 when he contributed a number of tracks and charting singles to Jay-Z's 'The Blueprint', often cited a sea change in Jay-Z's career thanks, in part, to the sound of West and Just Blaze. 'The Blueprint' will be covered in depth in a future post of this blog, so I will only cover one of Kanye's beats: the excellent 'Heart of the City (Ain't No Love)' which samples generously from Bobby Bland's 'Ain't No Love in the Heart of the City' from his 1973 album 'Dreamer'. Although he produced stellar singles for Jay-Z, his stock was set to rise even more in 2002.

Talib Kweli's 'Get By' was inescapable in 2002, thanks to Kanye's swift edit of Nina Simone's 'Sinnerman' from her album 'Pastel Blues'. The single, laced with then newcomer / future Kanye collaborator John Legend's background vocals, was a new high water mark for both West and Kweli and the track is arguably Talib Kweli's career defining moment to date. 2002 also saw the release of some of his production work for Scarface for his 2002 album 'The Fix'. Kanye samples 'Sunrise' by the Originals for Scarface's single 'Guess Who's Back' with guest appearances from Jay-Z and Beanie Sigel. In 2002, Nas' 'The Lost Tapes' album saw release, which included one of Kanye West's ghost productions for Deric 'D-Dot' Angelettie. 'Poppa Was a Playa' from 'The Lost Tapes' contains a sample of 'The Newness is Gone' by Eddie Kendricks from his album 'Goin' Up in Smoke'.

Check back for the next look at Kanye's production output and also be on the lookout for future posts covering his albums.

The Lowdown:
Jay-Z 'Heart of the City (Ain't No Love)'
from 'The Blueprint' (2001) (MP3/CD)
Clean Edit:'Heart of the City (Ain't No Love)'
Bobby Bland 'Ain't No Love in the Heart of the City'
from 'Dreamer' (1973) (MP3/Import CD)
Talib Kweli 'Get By'
from 'Quality' (2002) (MP3 not available/CD)
Nina Simone 'Sinnerman'
from 'Pastel Blues' (1965) (MP3/CD)
Scarface 'Guess Who's Back'
from 'The Fix' (2002) (MP3/CD)
Clean Edit:'Guess Who's Back'
The Originals 'Sunrise'
from 'Down to Love Town' (1977) (MP3 not available/CD not available)
Nas 'Poppa Was a Playa'
from 'The Lost Tapes' (2002) (MP3/CD)
Clean Edit:'Poppa Was a Playa'
Eddie Kendricks 'The Newness is Gone'
from 'Goin' Up in Smoke' (1976) (MP3 not available/CD not available)

BONUS CUTS:
Nina Simone's 'Sinnerman' was a popular track to cover by reggae artists (like many soul singles from the United States). Peter Tosh delivers a classic cover with the slightly rewritten 'Downpressor Man' while Tosh's one time collaborators Bob Marley and the Wailers delivered their own 'Sinner Man'.

Five On It: June 2008's Essentials

The new Five on It section is a recap of the month's most essential beats for everyone too lazy to sift through a month worth of posts (RE: haters) to find the cream of the crop. Each month, I'll also throw some bonus cuts in there as well. "Six On It" or "Seven On It" really doesn't have the same ring, sorry about the misnomer.

June's five begins with Aretha Franklin's 'Save Me' from Rewind: Pete Rock and C.L. Smooth 'The Creator' (post #1 on this blog). 'Save Me''s driving beat may be an unconventional drum source for hip-hop producers, but it can be deadly on songs in the 120-130 bpm range. Also, slightly fast for conventional hip-hop tracks is 'Superfly' by Curtis from Source Material: Curtis Mayfield 'Superfly', blog post #2. One of my personal favorite rock breaks of all time is the STOMPING organ and drum intro on Graham Nash's 'Chicago' from Producer Profile: Kanye West (Part 1). Never have war protest songs hit so hard (sorry 'Ohio' by Neil Young - I see you).

It may be used to death, but every few years someone flips Bob James' 'Nautilus' (from Rewind: Ghostface Killah 'Ironman') in a new way that makes you forget every Bob James sampling track before it. A note to producers about sample clearance: Bob James will notoriously get his money. He has gone after smaller producers and artists that have sampled his work. Sampler beware. Finally, Zapp's 'More Bounce to the Ounce' was mentioned on post #7's Rewind: Ice Cube 'Jackin' For Beats'. It may not be the most prevalent sample in this Bomb Squad sample massacre, but it's one of the longest living floor fillers and an ongoing sample source for producers.

The Lowdown:
Aretha Franklin 'Save Me'
from 'I Never Loved a Man the Way I Love You' (1967) (MP3/CD)
Curtis Mayfield 'Superfly'
from 'Superfly' (1972) (MP3/CD)
Graham Nash 'Chicago'
from 'Songs for Beginners' (1970) (MP3/CD unavailable)
Bob James 'Nautilus'
from 'One' (1974) (MP3/CD)
Zapp 'More Bounce to the Ounce'
from 'Zapp' (1979) (MP3/CD)

BONUS CUT:
Aretha's stormer from 'I Never Loved a Man the Way I Love you', 'Save Me', was covered two years later for an equally storming (and samplable) version by Nina Simone. Simone's version of 'Save Me' is one of the funkiest tracks in her catalog, and those who know her songs, this is saying a lot. Check it out.