Showing posts with label Gang Starr. Show all posts
Showing posts with label Gang Starr. Show all posts

Friday, June 12, 2009

Rewind: Jay Dee 'Welcome 2 Detroit'



We've covered a lot of material by the late great J Dilla on this blog, but every one of his releases are essential in their own way and I'll be damned if he doesn't dig deep for some of the craziest songs to sample. This post will cover the source material from Dilla's first solo outing, 2001's 'Welcome 2 Detroit' on BBE, as Jay Dee.

The album's intro track takes a sample from 'Sunset in Golden Horn' from Turkish band Les Mogul's 1971 album 'Danses et Rhythmes de la Turquie'. See what I'm saying? With assistance on the bass from Dwele, Jay Dee delivers an impressive version of 'Think Twice'. The original 'Think Twice' appeared on Donald Byrd's highly sought after 1974 album 'Stepping into Tomorrow' produced by Mizell brother Larry Mizell. 'Beej-N-Dem (Part 2)' features a sample of the Beach Boys' later career album cut 'Feel Flows' from their 1971 album 'Surf's Up' as well as drums from Billy Garner's absolutely sample laden cut 'I Got Some'. Look below for more on 'I Got Some'. 'Featuring Phat Kat', as one would assume, features Phat Kat from Slum Village. Jay Dee pulls Steve Howe's 'Beginnings' out of the crate for the track 'Will O' The Wisp' for 'Featuring Phat Kat''s beat. On the album's final track, 'One', Dilla samples the Ohio Players' controversial (due to the cover imagery) 1971 album 'Pain''s title track. 'Pain' is a highly sampled track and is on the short list for this month's Five On It.

Though Jay Dee had many high profile production credits, many previously reviewed on this blog, it would be another two years before he'd release another solo effort: 2003's 'Ruff Draft' EP which has recently been expanded and re-released.


The Lowdown:
Jay Dee 'Intro', 'Think Twice', 'Beej-N-Dem (Part 2)', 'Featuring Phat Kat', and 'One'
from 'Welcome 2 Detroit' (2001) (MP3/CD)
Les Mogul 'Sunset in Golden Horn'
from 'Danses et Rhythmes de la Turquie' (1971) (MP3 not available/CD not available)
Donald Byrd 'Think Twice'
from 'Stepping into Tomorrow' (1974) (MP3/CD)
The Beach Boys 'Feel Flows'
from 'Surf's Up' (1971) (MP3/CD)
Billy Garner 'I Got Some'
from 'I Got Some' 7" (1971) (MP3 not available/CD not available)
Steve Howe 'Will O' The Wisp'
from 'Beginnings' (1975) (MP3 not available/CD)
The Ohio Players 'Pain'
from 'Pain' (1971) (MP3/CD)

Bonus Cuts
:
Why aren't more people messing with the drums from Billy Garner's 'I Got Some'? It might be because the track was so fluidly flipped by DJ Premier for Gang Starr's memorable B-side 'B.Y.S.'. It's kind of hard to follow that one up, but beat makers shouldn't fear falling short of Primo. One more bonus: 'I Got Some' (Part 2).

Related Posts:
Producer Profile: J Dilla (Part 4, 2000)
Producer Profile: J Dilla (Part 5, 2001-2003)

Friday, May 8, 2009

The Breaks: Myra Barnes 'Message from the Soul Sisters'



For our last post during James Brown Week, I thought we'd take a look at one of the many hits produced by James Brown for other artists. Today's post will cover Myra Barnes' hit single 'Message from the Soul Sisters' from 1970. Myra Barnes, who also performed under the name Vicki Anderson, joined the James Brown Revue in 1965 and would later be replaced by another legendary James Brown produced female singer: Marva Whitney. 'Message from the Soul Sisters' is among one of her best known tracks and is a go-to sample source for some of hip hop's finest producers.

DJ Premier and Guru sampled Barnes for the title track to their 1989 debut album 'No More Mr. Nice Guy'. A year later, Dr. Dre and Lay Law sampled the song for Above the Law's 'Freedom of Speech' and the Geto Boys sampled the song for their track 'City Under Seige'. Perhaps the track most known for sampling 'Message from the Soul Sisters' is the album cut 'Vamos a Rapair' produced by Large Professor and Pete Rock for Main Source's modern day classic debut album 'Breaking Atoms'. Rashad Smith used the sample again in 1995 for LL Cool J's track 'God Bless' from the album 'Mr. Smith.

In addition to being a part of the James Brown Revue, Myra Barnes was quite literally family: she married Bobby Byrd, a long time Brown collaborator. Music was also apparently apart of Byrd and Barnes' DNA as their daughter Jhelisa scored a few 90s hits in the UK.

The Lowdown:
Myra Barnes 'Message from the Soul Sisters'
from 'Message from the Soul Sisters' 7" (1970) (MP3 not available/CD not available)
Gang Starr 'No More Mr. Nice Guy'
from 'No More Mr. Nice Guy' (1989) (MP3/CD)
Above the Law 'Freedom of Speech'
from 'Livin' Like Hustlers' (1990) (MP3/CD)
Geto Boys 'City Under Siege'
from 'The Geto Boys' (1990) (MP3/CD)
Main Source 'Vamos a Rapair'
from 'Breaking Atoms' (1991) (MP3/CD)
LL Cool J 'God Bless'
from 'Mr. Smith' (1995) (MP3/CD)

Related Posts:
Rewind: Above the Law 'Livin' Like Hustlers' (Part 1)
Rewind: Above the Law 'Livin' Like Hustlers' (Part 2)
Rewind: Main Source 'Breaking Atoms' (Part 1)
Rewind: Main Source 'Breaking Atoms' (Part 2)

Monday, January 12, 2009

Producer Profile: DJ Premier (part 2, 1991-1993)



Following his work on the debut Gang Starr album and the Wild Pitch label, DJ Premier continued to produce some excellent beats through the early years of the 90s. This post will cover some of his highlights from 1991-1993.

Gang Starr will undoubtedly be covered in more detail in the future, but one of Primo's classic productions from 1991 cannot go unmentioned. 'Lovesick' from Gang Starr's album 'Step in the Arena' features fantastic use of the Delfonics' soul anthem 'Trying to Make a Fool of Me' in addition to the Young Holt Unlimited's 'Ain't There Something Money Cant Buy'. In 1992, Primo produced 'Here Comes the Heavster' from Heavy D and the Boyz' album 'Blue Funk'. The track digs deep in the jazz crates for Charles Mingus' 1956 cut 'A Foggy Day' from 'Pithecanthropus Erectus'. Premier produced 6 tracks from 1993's 'Return of the Boom Bap' by KRS-One. On 'Outta Here', Premier samples drums from James Brown's excellent 'Funky President (People It's Bad)'.

Be on the look out for part 3 of our look at DJ Premier, whose productions in 1994 include to of hip-hop's most widely revered albums: 'Illmatic' and 'Ready to Die'.


The Lowdown:
Gang Starr 'Lovesick'
from 'Step in the Arena' (1991) (MP3/CD)
The Delfonics 'Trying to Make a Fool of Me'
from 'The Delfonics' (1969) (MP3/CD)
Young Holt Unlimited 'Ain't There Something Money Cant Buy'
from 'Soulful Strut' (1968) (MP3 not available/CD not available)
Heavy D and the Boyz 'Here Comes the Heavster'
from 'Blue Funk' (1992) (MP3 not available/CD not available)
Charles Mingus 'A Foggy Day'
from 'Pithecanthropus Erectus' (1956) (MP3/CD)
KRS-One 'Outta Here'
from 'Return of the Boom Bap' (1993) (MP3/CD)
James Brown 'Funky President (People It's Bad)'
from 'Reality' (1975) (MP3 not available/CD not available)

Wednesday, January 7, 2009

Source Material: James Brown 'Black Caesar' (Part 2)



Welcome to part two of our look at James Brown soundtrack for 'Black Caesar'.

Sure, 'Down and Out...' and 'The Boss' are obvious tracks to sample, but hip-hop's finest have made use of some of 'Black Caesar''s lesser known album cuts too. Large Professor assisted Kool G Rap on the production of 'Play it Again, Polo' which used a sample of 'Black Caesar''s album cut 'Make it Good to Yourself'. James wrote and produced much of Lyn Collins' output, including her vocal contribution to 'Black Caesar' titled 'Mama Feelgood'. The blazing funk of 'Mama Feelgood' was used by Marley Marl for Big Daddy Kane's 1988 track 'Raw' from the album 'Long Live Kane'. Primo dips into James Brown's back catalog again for the beat to Gang Starr's 'I'm The Man' from their classic 'Daily Operation' album. DJ Premier sampled the 'Black Caesar' album cut 'White Lightning (I Mean Moonshine)' for 'I'm the Man'.

The film 'Black Caesar' was a success, as was the soundtrack. The team behind the film quickly started to develop a sequel that was released in late 1973 and titled 'Hell Up in Harlem'. James Brown was originally attached for the score, but (as the legend goes) had his music reject as it was not "funky enough" for the film. The song that was rejected would later be the title track to his 1974 album 'The Payback'. Notably, the soundtrack to 'Hell Up in Harlem' was ably handled by Edwin Starr, Fonce Mizell, and Freddie Perren - look for a future post regarding the 'Hell Up in Harlem' soundtrack.


The Lowdown:
James Brown 'Make it Good to Yourself' and 'White Lightning (I Mean Moonshine)'
from 'Black Caesar' (1973) (MP3/CD)
Kool G Rap and DJ Polo 'Play it Again, Polo'
from 'Wanted: Dead or Alive' (1990) (MP3/CD not available)
Lyn Collins 'Mama Feelgood'
from 'Black Caesar' (1973) (MP3/CD)
Big Daddy Kane 'Raw'
from 'Long Live Kane' (1988) (MP3 not available/CD)
Gang Starr 'I'm the Man'
from 'Daily Operation' (1992) (MP3/CD)

Wednesday, December 10, 2008

Producer Profile: DJ Premier (Part 1, 1989-1990)



Landing in Brooklyn via Texas, DJ Premier replaced Mark the 45 King as the DJ and producer of the rap unit Gang Starr which would reemerge as a duo in 1989 with Gang Starr's classic debut album 'No More Mr. Nice Guy' on Wild Pitch. The single 'Manifest' utilizes jazz samples as well as funk tracks, a specialty of Premier. The track samples Charlie Parker's 1962 jazz joint 'Night in Tunisia' and James Brown's 60s soul single 'Bring it Up (Hipster's Avenue)'. The work with Wild Pitch led to production work for half of Lord Finesse and DJ Mike Smooth's 'Funky Technician'. The track 'Baby, You Nasty' uses samples from James Brown's 'Hell'-era track 'Coldblooded' and 'What's on Your Mind (Expression)' by Brass Construction.

For the soundtrack to the movie 'Mo' Better Blues', Guru and Premier collaborated with Branford Marsalis for the Gang Starr track 'Jazz Thing'. The track samples Thelonious Monk's classic 'Light Blue' and a song from Kool and the Gang's poorly received 1974 foray into jazz 'Kool Jazz' titled 'Dujii'.

Check back for our next look at DJ Premier's productions with his work from 1991 and 1992.


The Lowdown:
Gang Starr 'Manifest'
from 'No More Mr. Nice Guy' (1989) (MP3/CD)
Charlie Parker 'Night in Tunisia'
from 'Bird Symbols' (1962) (MP3 not available/CD)
James Brown 'Bring It Up (Hipster's Avenue)'
from 'James Brown Sings Raw Soul' (1967) (MP3 not available/CD not available)
Lord Finesse and DJ Mike Smooth 'Baby, You Nasty'
from 'Funky Technician' (1990) (MP3/CD)
James Brown 'Coldblooded'
from 'Hell' (1974) (MP3/CD)
Brass Construction 'What's on Your Mind (Expression)'
from 'Brass Construction II' (1976) (MP3 not available/CD not available)
Gang Starr 'Jazz Thing'
from 'Music for Mo Betta Blues' (1990) (MP3 not available/CD not available)
Thelonious Monk 'Light Blue'
from 'At the Five Spot' (1958) (MP3/CD)
Kool and the Gang 'Dujii'
from 'Kool Jazz' (1974) (MP3/CD not available)

Monday, December 8, 2008

Source Material: Marvin Gaye 'Trouble Man'



Between his two landmark albums 'What's Going On' and 'Let's Get it On', Marvin Gaye produced and released one of his generally forgotten albums: 1972's mostly instrumental soundtrack album 'Trouble Man' released on this date. Those who did not forget about this album have been hip-hop beat makers using the fertile instrumental landscapes in Gaye during his production prime. This post will cover 'Trouble Man''s standout tracks and the people who sampled them.

One of my favorite tracks from this album and one of Gaye's best productions in my opinion is 'T Plays it Cool', a necessity for downtempo sets. The beat was nicked by a pre-House of Pain Everlast on the track 'Pass It On' from his not-so-aptly-titled forgotten album 'Forever Everlasting'. A year later, DJ Premier would use the same loop for Gang Starr's much more widely received 'Take a Rest' from the excellent 1991 album 'Step in the Arena'.


'Trouble Man''s lone single is the title track 'Trouble Man', which breached the top 10 in 1972. 25 years later, the song would be sampled for Rocafella R&B protégés Christión, who are perhaps best remembered for their inclusion on 'Streets is Watching'. The single for their debut album 'Ghetto Cyrano' was the Gaye sampling 'Full of Smoke' whose production is credited to Dame Dash, Jay-Z, and Biggs Burke. Ghost producers stand up! I'm surprised that this song hasn't been sampled more, aspiring beat makers should give it a go. Gaye's album track 'T Stands for Trouble' is one of the sources used by the Bomb Squad for their stunning beat for Ice Cube's 'Who's the Mack?'. 'T Stands for Trouble' would get a second rinse on Brand Nubian's 'The Meaning of the 5%' from their highly militant 1993 follow up album 'In God We Trust'.

In future posts on this blog, we will undoubtedly look at other albums from Marvin, however this gem should not be overlooked as prime source material.


The Lowdown:
Marvin Gaye 'T Plays it Cool', 'Trouble Man', and 'T Stands for Trouble'
from 'Trouble Man' (1972) (MP3/CD)
Everlast 'Pass it On'
'Forever Everlasting' (1990) (MP3/CD not available)
Gang Starr 'Take a Rest'
from 'Step in the Arena' (1991) (MP3/CD)
Christión 'Full of Smoke'
from 'Ghetto Cyrano' (1997) (MP3/CD)
Ice Cube 'Who's the Mack?'
from 'AmeriKKKa's Most Wanted' (1990) (MP3/CD)
Clean Edit: 'Who's The Mack?'
Brand Nubian 'The Meaning of the 5%'
from 'In God We Trust' (1993) (MP3/CD)

Monday, October 6, 2008

The Breaks: Marlena Shaw 'California Soul'



'California Soul' by Marlena Shaw is a former Five On It essential break pick (from August 2008) and this post will expand on why exactly this break is so necessary. Marlena Shaw was signed by Chess Records at the age of 24, leading to two albums before her move to jazz powerhouse Blue Note (where she was the first female artist signing). 'California Soul' is from her 1969 album 'Spice of Life' and the track has received a recent revival from use in a jeans advertisement. Like many other instances, advertisers were a little behind - 'California Soul' has been a hip-hop staple for some time.

One of the first instances of the opening break being sampled is for Gang Starr's 'Check the Technique' from the Primo produced 'Step in the Areana'. Two years later DJ Food (formerly the members of Coldcut, but taken over by Patrick Carpenter in 1993) sampled 'California Soul' on 'Dark Lady' from the fourth entry into the 'Jazz Brakes' series. In 2000, Madlib bit the beat for the title track from Quasimoto's 'The Unseen'.


The Lowdown:
Marlena Shaw 'California Soul'
from 'The Spice of Life' (1969) (MP3/CD)
Gang Starr 'Check the Technique'
from 'Step in the Arena' (1991) (MP3/CD)
DJ Food 'Dark Lady'
from 'Jazz Brakes, Vol. 4' (1993) (MP3 not available/CD)
Quasimoto 'The Unseen'
from 'The Unseen' (2000) (MP3/CD)


BONUS CUTS:
Marlena Shaw's 'California Soul' was not the original and is perhaps not even the most widely known version. Ashford and Simpson wrote 'California Soul' for the Fifth Dimension in 1968. Additionally, one year after the Marlena Shaw cover, 'California Soul' was covered once again by Marvin Gaye and Tammi Terrell (this time produced by the writers Ashford and Simpson). The song was the final single from Gaye and Terrell and was released after Terrell's tragic death at the age of 24.

Monday, August 18, 2008

Producer Profile: Mark the 45 King (part 1, 1988-1989)



In 1987, Mark James produced the breakout single 'The 900 Number' under the name Mark the 45 King. '900 number' was a smash, famously appearing on Yo! MTV Raps as the background music to the Ed Lover Dance and it eventually becoming the backing for DJ Kool's 1996 smash single 'Let Me Clear My Throat'. '900 Number' famously uses the opening horn riff from the James Brown produced 'Unwind Yourself' by Marva Whitney. 'Let Me Clear My Throat' also incorporates the opening to Kool and the Gang's 'Hollywood Swinging', which is an easy party starter.

In 1989, 45 King produced tracks for 'All Hail the Queen' by Queen Latifah, who had previously been one of the members of 45 King's Flavor Unit. The album's first single was the 45 King produced 'Dance for Me', which samples Alvin Cash's breakbeat monster 'Keep on Dancing' and 80s new wave band The The's 'Sweet Bird of Truth'. In the same year, 45 King provided a beat to Gang Starr's debut album on Wild Pitch titled 'No More Mr. Nice Guy' (it's notable that this is a rare instance where a Gang Starr track is not produced by DJ Premier and/or Guru). 'Gusto' is laced with samples from Curtis Mayfield's 'Superfly' single 'Freddie's Dead' and 'Express' by B.T. Express.

Check back for part 2 of this blog's profile of Mark the 45 King, including his long silence broken by one of Jay-Z most memorable singles.


The Lowdown:
Mark the 45 King 'The 900 Number'
from 'The 900 Number' (1990) (MP3 not available/CD)
DJ Kool 'Let Me Clear My Throat'
from 'Let Me Clear My Throat' (1996) (MP3 not available/CD not available)
Marva Whitney 'Unwind Yourself'
from 'It's My Thing' (1969) (MP3 not available/Import CD)
Kool and the Gang 'Hollywood Swinging'
from 'Wild and Peaceful' (1973) (MP3/CD)
Queen Latifah 'Dance for Me'
from 'All Hail the Queen' (1989) (MP3/CD)
Alvin Cash 'Keep on Dancing'
The The 'Sweet Bird of Truth'
from 'Infected' (1986) (MP3/CD not available)
Gang Starr 'Gusto'
from 'No More Mr. Nice Guy' (1989) (MP3/CD)
Curtis Mayfield 'Freddie's Dead'
from 'Superfly' (1972) (MP3/CD)
B.T. Express 'Express'
from 'Do It ('Til You're Satisfied)' (1972) (MP3/CD)