Showing posts with label Herbie Hancock. Show all posts
Showing posts with label Herbie Hancock. Show all posts

Wednesday, September 30, 2009

Five On It: September 2009's Essentials



Welcome to our September installment of Five On It, the most essential five breaks and sample sources of the past month compiled in one easy to access section.

This month began with a classic in our look at Organized Konfusion's self titled debut album, the breakdance anthem 'The Mexican' from Babe Ruth's first album 'First Base'. In our second look at 'Organized Konfusion', we mentioned the huge drum break at the start of Herbie Hancock's famous 'Chameleon' from 1973's 'Headhunters'. Check out the link to 'Chameleon' - I don't think you'll find a cheaper download for the full album length track anywhere else! The David Axelrod produced album 'Release of an Oath' by the Electric Prunes covered here has the other-worldly 'General Confessional', which made its rounds as a digger's dream find in the 90s. From their 1968 debut album, Kool and the Gang's 'Give It Up' has been used numerous times in hip-hop sampling, sampled by Dr. Dre among others. Finally, during our producer profile of Mark the 45 King, we mentioned his use of the cut 'Soul Power 74' by Maceo and the Macks - a stirring J.B. inspired cut with a notable heavy sax solo that has seen its fair share of sampling in the past.


The Lowdown:
Babe Ruth 'The Mexican'
from 'First Base' (1972) (MP3/Import CD)
Herbie Hancock 'Chameleon'
from 'Headhunters' (1973) (MP3/CD)
Electric Prunes 'General Confessional'
from 'Release of an Oath' (1968) (MP3/CD)
Kool and the Gang 'Give it Up'
from 'Kool and the Gang' (1969) (MP3 not available/CD not available)
Maceo and the Macks 'Soul Power 74'
from 'Us!' (1974) (MP3 not available/Import CD)

Bonus Cuts:
Babe Ruth's 'The Mexican' was a building block for b-boy sets in the early days of hip-hop, but it was also a building block for one of hip-hop's earliest crossover hits: 'Planet Rock' by Afrika Bambaataa and the Soulsonic Force. Many people instantly think of Kraftwerk when 'Planet Rock' is mentioned, but a lengthy instrumental riff is lifted from 'The Mexican' as well. Another bonus download link: the 'Planet Rock' instrumental version!

Wednesday, September 16, 2009

Producer Profile: Dr. Dre (Part 2, 1990)



Following the breakthrough success of N.W.A.'s 'Straight Outta Compton' album and production work for Eazy-E and Michel'le, Dr. Dre was hot property in 1990. This post will look at Dr. Dre's production credits from 1990 and the songs he sampled for those works.

'Livin' Like Hustlers' by Above the Law was previously covered here and here, but it bears mentioning again due to the density of Dr. Dre's sample work of the period. On 'Murder Rap', Dre samples a number of notable breaks like Eddie Bo's fantastic NoLa single 'Hook and Sling', James Brown's 'Funky Drummer', the squonky 'Ironside' by Quincy Jones, and Stanley Turrentine's famous 'Sister Sanctified'.


Following N.W.A.'s bombastic debut, Dre produced the stop gap EP '100 Miles and Runnin'', which featured some of N.W.A.'s beat cuts. On '100 Miles and Runnin'', Dre samples Funkadelic's 'Get Off Your Ass and Jam', Herbie Hancock's 'Hang Up Your Hang Ups', and James Brown's 'Give it Up or Turnit Loose' in addition to choice samples from 'Nowhere to Run' by Martha Reeves and the Vandellas, 'Run N-----' by the Last Poets, and Vincent Price's contribution to 'Thriller' by Michael Jackson. On the EP's cut 'Real N----z', Dre samples Kool and the Gang's 'Give it Up' and Cheryl Lynn's proto-disco smash single 'Got to Be Real'.

Check back for more information on Dr. Dre's career, which tends to appear on this blog regularly.


The Lowdown:
Above the Law 'Murder Rap'
from 'Livin' Like Hustlers' (1990) (MP3/CD)
Eddie Bo 'Hook and Sling'
from 'Hook and Sling' 7" (1968) (MP3 not available/CD not available)
James Brown 'Funky Drummer'
from 'Funky Drummer' 7" (1970) (MP3 not available/CD not available)
Quincy Jones 'Ironside'
from 'Smackwater Jack' (1971) (MP3/CD)
Stanley Turrentine 'Sister Sanctified'
from 'Cherry' (1972) (MP3 not available/Import CD)
N.W.A. '100 Miles and Runnin'' and 'Real N----z'
from '100 Miles and Runnin'' (1990) (MP3 not available/CD not available)
Funkadelic 'Get Off Your Ass and Jam'
from 'Let's Take it to the Stage' (1975) (MP3/CD)
Herbie Hancock 'Hang Up Your Hang Ups'
from 'Man-Child' (1975) (MP3/CD)
James Brown 'Give it Up or Turnit Loose'
from 'In the Jungle Groove' (1986) (MP3/CD)
Martha Reeves and the Vandellas 'Nowhere to Run'
from 'Dance Party' (1965) (MP3 not available/Import CD)
The Last Poets 'Run, N-----'
from 'The Last Poets' (1970) (MP3 not available/CD)
Michael Jackson 'Thriller'
from 'Thriller' (1983) (MP3/CD)
Kool and the Gang 'Give it Up'
from 'Kool and the Gang' (1969) (MP3 not available/CD not available)
Cheryl Lynn 'Got to Be Real'
from 'Cheryl Lynn' (1978) (MP3/CD not available)

Related Posts:
Producer Profile: Dr. Dre (Part 1, 1988-1989)
Rewind: Above the Law 'Livin' Like Hustlers (Part 1)
Rewind: Above the Law 'Livin' Like Hustlers (Part 2)
Rewind: N.W.A. 'Straight Outta Compton (Part 1)
Rewind: N.W.A. 'Straight Outta Compton (Part 2)
Rewind: N.W.A. 'Straight Outta Compton (Part 3)
Street Sounds: Dr. Dre

Friday, September 4, 2009

Rewind: Organized Konfusion 'Organized Konfusion' (Part 2)



Welcome to our second look at Organized Konfusion's 1991 debut album titled 'Organized Konfusion' produced and emceed by Prince Po and Pharoahe Monch.

The album's title track 'Organized Konfusion' by Organized Konfusion features a sample from the James Brown hit single 'Think (About It)' by Lyn Collins, which has been notably sampled frequently throughout hip-hop's history. The track 'Open Your Eyes' samples a pair of tracks from Herbie Hancock's foundational album 'Headhunters': the huge breakbeat cut 'Chameleon' and 'Watermelon Man'. On 'Roosevelt Franklin', Organized Konfusion flow over another sample from Weather Report's 1973 album 'Sweetnighter', this time it's the cut '125th Street Congress'. 'Intro' samples the early Kool and the Gang burner 'Give it Up' as well as George Benson's 'California Dreamin' from his 1971 album 'White Rabbit'. Finally, on 'Who Stole My Last Piece of Chicken?', the duo use a melange of samples including the Ohio Players' 'Pain', Skull Snaps' classic 'It's a New Day', and the J.B.'s 'Rice N Ribs'.

Following the end of Organized Konfusion in 1997 after only three albums, Pharoahe Monch went on to score a hit on Rawkus Records while Prince Po released solo material on Lex. In the 2000's, the group has briefly reunited at times, though not for long.


The Lowdown:
Organized Konufsion 'Organized Konufsion', 'Open Your Eyes', 'Roosevelt Franklin', 'Intro', and 'Who Stole My Last Piece of Chicken?'
from 'Organized Konufsion' (1991) (MP3 not available/CD)
Lyn Collins 'Think (About It)'
from 'Think (About It)' (1972) (MP3 not available/Import CD)
Herbie Hancock 'Chameleon' and 'Watermelon Man'
from 'Headhunters' (1973) (MP3/CD)
Weather Report '125th Street Congress'
from 'Sweetnighter' (1973) (MP3/CD)
Kool and the Gang 'Give it Up'
from 'Kool and the Gang' (1969) (MP3 not available/CD not available)
George Benson 'California Dreamin''
from 'White Rabbit' (1971) (MP3/CD)
The Ohio Players 'Pain'
from 'Pain' (1971) (MP3/CD)
Skull Snaps 'It's a New Day'
from 'Skull Snaps' (1973) (MP3 not available/CD not available)
The J.B.'s 'Rice N Ribs'
from 'Breakin' Bread' (1974) (MP3 not available/Import CD)

Related Posts:
Five On It: July 2008's Essentials (Lyn Collins appearance)
Five On It: November 2008's Essentials (Skull Snaps Appearance)

Friday, August 28, 2009

Rewind: The Roots 'Game Theory'



The Roots' seventh studio album, 'Game Theory', was released on August 29th three years ago. This post will look at the sample sources used by the Roots for this album.

On the album's intro track, 'Dilltastic Vol Won(derful)', the Roots pay tribute to J Dilla by sampling his production for Slum Village's 'Fantastic', which itself samples Herbie Hancock's 'You'll Know When You Get There' from his 1977 album 'V.S.O.P.'. The album's lead single, 'Don't Feel Right', has the Roots sampling Kool and the Gang's 'Jungle Boogie' and the Ohio Players' 'Ecstasy'. 'Atonement' has the Roots sampling alt rock band Radiohead's 'You and Whose Army?' from 2001's 'Amnesiac'. As a bookend to 'Game Theory', the Roots end the album with another tribute to J Dilla with 'Can't Stop This'. On 'Can't Stop This', the Roots sample Dilla's 'Time: The Donut of the Heart' from his 'Donuts' album which samples 'All I Do is Think of You' from the 1975 Jackson 5 album 'Moving Violation'.

'Game Theory' peaked in the Billboard top 10, but was not a high selling album. The album has been followed by 'Rising Down' in 2008 and 2009's soon to be released album 'How I Got Over'.


The Lowdown:
The Roots 'Dilltastic Vol Won(derful)', 'Don't Feel Right', 'Atonement', and 'Can't Stop This'
from 'Game Theory' (2006) (MP3/CD)
Clean Edits: 'Dilltastic Vol Won(derful)', 'Don't Feel Right', 'Atonement', and 'Can't Stop This'
Slum Village 'Fantastic'
from 'Fan-tas-tic Vol. 1' (1997) (MP3/CD not available)
Herbie Hancock 'You'll Know When You Get There'
from 'V.S.O.P.' (1977) (MP3/Import CD)
Kool and the Gang 'Jungle Boogie'
from 'Wild and Peaceful' (1973) (MP3/CD)
The Ohio Players 'Ecstasy'
from 'Ecstasy' (1973) (MP3/CD)
Radiohead 'You and Whose Army?'
from 'Amnesiac' (2001) (MP3/CD)
J Dilla 'Time: The Donut of the Heart'
from 'Donuts' (2006) (MP3 not available/CD)
The Jackson 5 'All I Do is Think of You'
from 'Moving Violation' (1975) (MP3/CD not available)

Related Posts:
Producer Profile: J Dilla (Part 7, 2006)

Wednesday, July 9, 2008

Producer Profile: J Dilla (Part 2, 1996-1997)



Following the limited success of 'Runnin'' by the Pharcyde, J Dilla (then, as Jay Dee) scored his second single 'Stakes is High' for De La Soul. 'Stakes is High', like 'Runnin'', was not initially successful but is now seen as one the essential mid 90s East Coast singles. The trademark laid-back beat for 'Stakes is High' is cut partially from James Brown's 'Mind Power' from his landmark album 'The Payback'. Dilla met Q-Tip of A Tribe Called Quest through Amp Fiddler in 1995, leading to the formation of the Ummah with Ali Shaheed Muhammed and Tip in 1996. One of the Ummah's most notable production credits is on Janet Jackson's 1997 single 'Got Til It's Gone', which famously interpolates Joni Mitchell's 1970 hit 'Big Yellow Taxi'. Though the actual production credits are still argued, the liner notes claim the producers of 'Got Til It's Gone' are Jimmy Jam and Terry Lewis, but many hip-hop fans contend that the beat is obviously by the Ummah.

In addition to breaking into the charts with the Ummah, Dilla was still trying to launch his own group, Slum Village. Slum Village, though not making an impression on Q-Tip at first, toured with A Tribe Called Quest in 1998. Due to problems with their label A&M, their 1997 album, 'Fan-tas-tic Vol. 1' was never officially released until 2005 (five years after the sequel was released). 'Fan-tas-tic Vol. 1' gives insight to Slum Village in an early stage and offers up some early Dilla beats. 'Forth & Back', in particular, shines with a sample from Herbie Hancock's 'I Thought it Was You'.

In a future post of this blog, we'll see Dilla's stock rise with Ummah's production for ATCQ's 'The Love Movement' and the formation of the Soulquarians.


The Lowdown:
De La Soul 'Stakes is High'
from 'Stakes is High' (1996) (MP3 not available/CD)
James Brown 'Mind Power'
from 'The Payback' (1973) (MP3/CD)
Janet Jackson 'Got Til It's Gone'
from 'The Velvet Rope' (1997) (MP3/CD)
Joni Mitchell 'Big Yellow Taxi'
from 'Ladies of the Canyon' (1970) (MP3/CD)
Slum Village 'Forth & Back'
from 'Fan-tas-tic Vol. 1' (1997) (MP3/CD)
Herbie Hancock 'I Thought it Was You'
from 'Sunlight' (1977) (MP3/CD)