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Here it is, this month's Five On It: the most necessary breaks of the past month distilled for maximum usability / listenability. This month had some burning hot cuts and also had some big tracks from our James Brown week. Check out what we've got for you.UGK's 'Hard to Swallow' review was full of classic breaks, two of which we'll highlight this month. Bill Withers' 'Still Bill' is a classic album and no cut is more useful for slo-mo tracks than the hit 'Use Me'. Also, other 'Superfly album cuts have been previously featured as Five On It picks, but this month highlights the single 'Freddie's Dead' for its usefulness to producers. James Brown week featured a look at James Brown's 1974 album 'Hell' and featured the big cut 'My Thang', which may not be the first break one would pick from J.B.'s archive, but is a heavy one. Also featured during our look at James Brown was Myra Barnes' 'Message from the Soul Sisters' when we looked at the numerous songs that sampled that break. Finally, during our look at Ice Cube's 'AmeriKKKa's Most Wanted', we mentioned Funkadelic's heavy 'Standing on the Verge of Getting It On' from the album of the same title. It's no secret that P-Funk samples make up a large part of West Coast hip-hop history, and this song is no exception.The Lowdown:
Bill Withers 'Use Me'
from 'Still Bill' (1972)(MP3/Import CD)
Curtis Mayfield 'Freddie's Dead'
from 'Superfly' (1972) (MP3/CD)
James Brown 'My Thang'
from 'Hell' (1974) (MP3/CD)
Myra Barnes 'Message from the Soul Sisters'
from 'Message from the Soul Sisters' 7" (1970) (MP3 not available/CD not available)
Funkadelic 'Standing on the Verge of Getting It On'
from 'Standing on the Verge of Getting It On' (1974) (MP3/CD)Bonus Cuts:
Bill Withers' 'Use Me' intro drums have always been a popular sampling source, but that shouldn't take away from the impact of the song itself, which was covered many times by great artists. Esther Phillips delivered a version of 'Use Me' as did Isaac Hayes who played a live version of 'Use Me' at the Sahara Tahoe. In 1981, Grace Jones had a spooky version of 'Use Me' as only Grace Jones could. The original was recently sampled by Kanye West for Nas' track 'Still Dreaming'.
Welcome to part 2 of our two part look at Ghostface Killah's most recent album 'The Big Doe Rehab'.Ghost and Anthony Acid share production credits for 'Supa GFK', which samples Johnny 'Guitar' Watson's hit 'Superman Lover' from his well received 1976 album 'Ain't that a B----'. The Hitmen's LV and Sean C dig deep again for the sample of the Independents' 'It's All Over' for Ghostface's 'I'll Die For You'. Following that, LV and Sean C sample NYC's El Michels Affair for the Ghost and Raekwon team up 'Shakey Dog Starring Lolita'. El Michels Affair is noted for their covers of Wu classics, but this new Wu track was made from a sample of El Michels Affair's original track 'Musings to Myself' from their debut album 'Sounding out the City'. Finally, Ghostface and Anthony Acid sample Faze-O's single 'Riding High' from their album of the same title on Ghost, Method Man, and Masta Killa's 'Killa Lipstick'.Though 'The Big Doe Rehab' was an album of new works, it fell mostly on deaf ears much to Ghostface's chagrin (as witnessed on an infamous Youtube video to his fans). This is the last album of new work from Ghost and is bookended by 2006's 'More Fish' and 2008's 'The Wallabee Champ', both made up of B-sides and unused tracks.The Lowdown:
Ghostface Killah 'Supa GFK', 'I'll Die for You', 'Shakey Dog Starring Lolita', and 'Killa Lipstick'
from 'The Big Doe Rehab' (2007) (MP3/CD)
Clean Edits: 'Supa GFK', 'I'll Die for You', 'Shakey Dog Starring Lolita', and 'Killa Lipstick'
Johnny 'Guitar' Watson 'Superman Lover'
from 'Ain't That a B----' (1976) (MP3 not available/CD)
The Independents 'It's All Over'
from 'Chuck, Helen, Eric, Maurice' (1973) (MP3 not available/CD not available)
El Michels Affair 'Musings to Myself'
from 'Sounding out the City' (2005) (MP3/CD)
Faze-O 'Riding High'
from 'Riding High' (1977) (MP3 not available/CD not available)
Bonus Cuts:
El Michels Affair have recently released an album of their Wu covers and a couple are Ghostface Killah classics: check out rethought instrumental versions of 'Cherchez La Ghost' and Raekwon and Ghost cuts 'Criminology' and 'Glaciers of Ice'.
In 2007, Ghostface Killah delivered his 7th major label solo album 'The Big Doe Rehab'. This two part arc will cover the sample sources, producers, and guests of Ghost's latest album to date.Beanie Sigel and Styles P appear on Ghost's heavy hitting album cut 'Toney Sigel A.K.A. the Barrel Brothers' produced by the Hitmen production teams' LV and Sean C. Similar to the team's work on Jay-Z's 'American Gangster', this track relies on a deep crate sample: Al Wilson's 1971 single 'Falling in Love with You'. The team used a much more well known sample for the album's opening single 'We Celebrate' with Kid Capri. They use Rare Earth's huge 1971 hit 'I Just Want to Celebrate' from the album 'One World'. On 'Walk Alone', Anthony Acid uses Little Milton's 'Packed Up and Took My Mind' as a backing for Ghostface, Trife Da God, and Sun God. Scram Jones and Frequency provide the beat for Ghost's bizarre celeb-obsessed 'White Linen Affair (Toney Awards)' which lifts a sample from 'That's the Way It's Got to Be (Body and Soul)' from the Soul Generation's 1972 album 'Beyond Body and Soul'.Check back for more tracks from 'The Big Doe Rehab' and their sources.The Lowdown:
Ghostface Killah 'Toney Sigel A.K.A. The Barrel Brothers', 'We Celebrate', 'Walk Around', and 'White Linen Affair (Toney Affair)'
from 'The Big Doe Rehab' (2007) (MP3/CD)
Clean Edits: 'Toney Sigel A.K.A. The Barrel Brothers', 'We Celebrate', 'Walk Around', and 'White Linen Affair (Toney Affair)'
Al Wilson 'Fallin' in Love with You'
from 'Fallin' in Love with You' 7" (1971) (MP3 not available/CD not available)
Rare Earth 'I Just Want to Celebrate'
from 'One World' (1971) (MP3 not available/CD not available)
Little Milton 'Packed Up and Took My Mind'
from 'Tin Pan Alley' (1974) (MP3/CD)
Soul Generation 'That's the Way It's Got to Be (Body and Soul)'
from 'Beyond Body and Soul' (1972) (MP3/Import CD)
Related Posts:
Rewind: Ghostface Killah 'Ironman'
Rewind: Ghostface Killah 'Supreme Clientele' (Part 1)
Rewind: Ghostface Killah 'Supreme Clientele' (Part 2)
Rewind: Ghostface Killah 'Supreme Clientele' (Part 3)
Rewind: Jay-Z 'American Gangster' (Part 1) (Hitmen production work)
Rewind: Jay-Z 'American Gangster' (Part 2) (Hitmen production work)
Welcome to part 2 of our two part look at J Dilla and Madlib's collaborative album 'Champion Sound' as Jaylib.For the Jaylib track 'The Official', Madlib takes a piece of the title track from Gap Mangione's 1968 album 'Diana in the Autumn Wind'. One of the odder sample sources from 'Champion Sound' is Dilla's selection of industrial music pioneers Throbbing Gristle's song 'Persuasion' for 'The Heist'. Madlib rhymes over J Dilla's beat on 'Strip Club', which samples jazz bassist Jaco Pastorius' 'Opus Pocus' from his 1976 album 'Jaco Pastorius'. Lastly, Dilla samples the late career album cut 'Stars are Out Tonight' from the relatively unknown Starcastle and the Isley Brothers' 'For the Love of You' for the Jaylib track 'Starz'.
Despite frequent leaks, the album was released in 2003 by Stones Throw and later repackaged in 2007 in a deluxe format in 2007 with instrumentals, bonus tracks, and remixes by Madlib.The Lowdown:
Jaylib 'The Official', 'The Heist', 'Strip Club', and 'Starz'
from 'Champion Sound' (2003) (MP3/CD)
Gap Mangione 'Diana in the Autumn Wind'
from 'Diana in the Autumn Wind' (1968) (MP3 not available/CD)
Throbbing Gristle 'Persuasion'
from '20 Jazz Funk Greats' (1979) (MP3 not available/CD)
Jaco Pastorius 'Opus Pocus'
from 'Jaco Pastorius' (1976) (MP3/CD)
The Isley Brothers 'For the Love of You'
from 'The Heat is On' (1975) (MP3/CD)
Starcastle 'Stars are Out Tonight'
from 'Reel to Real' (1979) (MP3/CD)
Bonus Cuts:
Deluxe edition instrumental cuts: 'The Official' (Instrumental), 'The Heist' (Instrumental), 'Strip Club' (Instrumental), and 'Starz' (Instrumental).
Related Posts:
Rewind: Madvillain 'Madvillany' (Part 1)
Rewind: Madvillain 'Madvillany' (Part 2)
When given a tape of J Dilla's beats in 2000, Madlib rapped over the beats starting the Jaylib project without J Dilla's initial knowledge. After trading beats and meeting only twice, the lone Jaylib album titled 'Champion Sound' was completed and released in 2003. This two part blog post will cover the sampled material from Dilla and Madlib's collaboration.The opening track 'L.A. to Detroit' produced by both J Dilla and Madlib contains a sample of the drums from Mountain's live version of 'Long Red' from 1973 their album 'Live (The Road Goes Ever On)'. 'McNasty Filth' featuring raps by Dilla and Frank-N-Dank finds Madlib using a sample from Paul Muriat's 1971 album 'El Condor Pasa''s album cut 'Melancholy Man'. Due to a cease and desist order, the sample of Cris Williamson's 'Shine On, Straight Arrow' does not appear on the rerelease version of the Dilla produced cut 'The Red'. Madlib kicks some dub knowledge by sampling Herman Chin-Loy's 'Heavy Duty' (featuring melodica by dub pioneer Augustus Pablo) on the track 'Heavy' with lyrics by Dilla.
Check back for part 2 of our look at 'Champion Sound'.The Lowdown:
Jaylib 'L.A. to Detroit', 'McNasty Filth', 'The Red', and 'Heavy'
from 'Champion Sound' (2003) (MP3/CD)
Mountain 'Long Red'
from 'Live (The Road Goes Ever On)' (1972) (MP3 not available/Import CD)
Paul Mauriat 'Melancholy Man'
from 'El Condor Pasa' (1971) (MP3 not available/CD not available)
Cris Williamson 'Shine On, Straight Arrow'
from 'Cris Williamson' (1970) (MP3/CD)
Herman Chin-Loy 'Heavy Duty'
from 'Aquarius Dub' (1975) (MP3 not available/CD not available)
Bonus Cuts:
Instrumental versions, get your rap on: 'McNasty Filth' (Instrumental), 'The Red' (Instrumental), and 'Heavy' (Instrumental).
Related Posts:
Producer Profile: J Dilla (Part 5, 2001-2003)
Through the 70s, David Axelrod continued to record a series of albums and continued producing albums for Cannoball Adderley until his untimely death in 1975. This fourth look at Axelrod's career will cover his work with Adderley in the final part of his life, his work with Funk Inc., his solo work, and - as always - the artists who have sampled the songs from this era.Cannonball Adderley's albums from 1972 are crate digger fantasies: the difficult to track down 'Soul of the Bible' and 'Soul Zodiac' yielded producers with ample samplable music. Biz Markie used a sample from Adderley's 'Soul of the Bible' track 'Make Your Own Temple' for his 'Groovin'' from 1993's 'All Samples Cleared'. RZA sampled Adderley's 'Aries' from 'Soul Zodiac' for Genius/GZA's epic 'Gold' from the previously reviewed hip-hop classic 'Liquid Swords'.Following three jazz-funk albums in the early 70s overseen by Rudy Van Gelder, Funk Inc. turned to David Axelrod to produce their fourth album titled 'Superfunk' (which has recently been re-released by the fantastic BGP label, link below). 'Superfunk' is a source for Eric B. and Rakim's 'Keep 'Em Eager to Listen' which samples Funk Inc.'s cover of 'Message from the Meters'. Brand Nubian samples 'Goodbye, So Long' from 'Superfunk' for their single 'Hold On' from the 1994 album 'Everything is Everything'. Funk Inc. recorded one more album in 1974 with David Axelrod, the currently unavailable 'Priced to Sell', whose 'God Only Knows' was sampled by Black Sheep on their 'A Wolf in Sheep's Clothing' track 'La Menage' with Q-Tip. Q-Tip, Phife Dawg, Busta Rhymes, and Redman all appear on A Tribe Called Quest's 'Steppin' It Up' produced by Jay Dee which samples another Axelrod produced track: Cannonball Adderley's 'Leo: Rosebud' from his 1974 album 'Love, Sex and the Zodiac'.David Axelrod's out of print 1977 album 'Strange Ladies' is also a highly coveted piece of vinyl that's been sampled by hip-hop's finest. Lauryn Hill's 'Every Ghetto, Every City' from her 1998 album 'The Miseducation of Lauryn Hill' samples Axelrod's 'Tony Poem'. Two years later, Inspectah Deck sampled 'Terri's Tune' for Ghostface Killah's 'Stay True' from 'Supreme Clientele'.
Axelrod recorded three more albums following 'Strange Ladies' as his acclaim quietly grew in hip-hop production circles leading to a high profile release on Mo' Wax Records in 2001 and rediscovery of his work by a new audience. Look for further posts about Axelrod, his production work, and his sample credits on this blog.The Lowdown:
Cannonball Adderley 'Make Your Own Temple'
from 'Soul of the Bible' (1972) (MP3 not available/CD not available)
Biz Markie 'Groovin''
from 'All Samples Cleared' (1993) (MP3/CD not available)
Cannonball Adderley 'Aries'
from 'Soul Zodiac' (1972) (MP3 not available/Import CD)
Genius/GZA 'Gold'
from 'Liquid Swords' (1995) (MP3/CD)
Funk Inc. 'Message from the Meters' and 'Goodbye, So Long'
from 'Superfunk' (1973) (MP3 not available/Import CD)
Eric B. and Rakim 'Keep 'em Eager to Listen'
from 'Let the Rhythm Hit 'Em' (1990) (MP3/CD)
Brand Nubian 'Hold On'
from 'Everything is Everything' (1994) (MP3/CD not available)
Clean Edit: 'Hold On'
Funk Inc. 'God Only Knows'
from 'Priced to Sell' (1974) (MP3 not available/CD not available)
Black Sheep 'La Menage'
from 'A Wolf in Sheep's Clothing' (1994) (MP3/CD)
Cannonball Adderley 'Leo: Rosebud'
from 'Love, Sex and the Zodiac' (1974) (MP3 not available/CD not available)
A Tribe Called Quest 'Steppin' it Up'
from 'The Love Movement' (1998) (MP3/CD)
David Axelrod 'Tony Poem' and 'Terri's Tune'
from 'Strange Ladies' (1977) (MP3 not available/CD not available)
Lauryn Hill 'Every Ghetto, Every City'
from 'The Miseducation of Lauryn Hill' (1998) (MP3/CD)
Ghostface Killah 'Stay True'
from 'Supreme Clientele' (2000) (MP3/CD)
Bonus Beats:
Funk Inc.'s 'Message from the Meters' is, of course, a cover of 'Message from the Meters' by the Meters. The original Meters version is also a sampleworthy piece of 70s funk like much of the Meters discography: it was sampled by Matt Dike of the Dust Brothers and Michael Ross for Tone Loc's 'Loc'in on the Shaw' from 1989.
Related Posts:
Rewind: Genius/GZA 'Liquid Swords' (Part 1)
Rewind: Genius/GZA 'Liquid Swords' (Part 2)
Rewind: Ghostface Killah 'Supreme Clientele' (Part 1)
Rewind: Ghostface Killah 'Supreme Clientele' (Part 2)
Rewind: Ghostface Killah 'Supreme Clientele' (Part 3)
Welcome to our third and final look at Ice Cube's 'AmeriKKKa's Most Wanted' and its sample sources.Da Lench Mob make an early appearance on Ice Cube's aptly titled 'Rollin' wit' the Lench Mob' produced by the Bomb Squad, Sir Jinx, and Cube. The team dips into Parliament's 'Motor-Booty Affair' again for the single 'Aquaboogie (Psychoalphadiscobetabioaquadoloop)'. Ice Cube rhymes over a barrage of heavily sampled breaks on the single 'Who's the Mack?' including Sly and the Family Stone's 'Sing a Simple Song', Marvin Gaye's 'T Stands for Trouble', The Honey Drippers' classic 'Impeach the President', and 'I Wanna Get Down' by Fred and The New J.B.'s. Sir Jinx and Ice Cube share production credits for Cube's duet with Yo-Yo: 'It's a Man's World'. The song samples and interpolates James Brown's breakthrough single 'It's a Man's, Man's, Man's World' and also samples Roy Ayers' 'Brother Green (The Disco King)' from his 1974 album 'Mystic Voyage'. Finally, the track 'The Bomb' seems like Sir Jinx and the Bomb Squad laying the groundwork for West Coast rap to come by sampling the Soul Searchers' 1974 cut 'Funk to the Folks' and Zapp's forever low rider banging 'More Bounce to the Ounce' from their 1979 self titled album.'AmeriKKKa's Most Wanted' was only the start for Ice Cube, who released a series of popular and controversial albums throughout the mid-90s leading to burgeoning movie career and several attempts at a credible comeback including his 2008 album 'Raw Footage'.The Lowdown:
Ice Cube 'Rollin' wit' the Lench Mob', 'Who's the Mack?', 'It's a Man's World', and 'The Bomb'
from 'AmeriKKKa's Most Wanted' (1990) (MP3/CD)
Parliament 'Aquaboogie (Psychoalphadiscobetabioaquadoloop)'
from 'Motor-Booty Affair' (1977) (MP3/CD)
Sly and the Family Stone 'Sing a Simple Song'
from 'Stand!' (1969) (MP3/CD)
Marvin Gaye 'T Stands for Trouble'
from 'Trouble Man' (1972) (MP3/CD)
The Honey Drippers 'Impeach the President'
from 'Impeach the President' 7" (1973) (MP3 not available/CD not available)
Fred and The New J.B.'s 'I Wanna Get Down'
from 'Breakin' Bread' (1974) (MP3 not available/CD not available)
James Brown 'It's a Man's, Man's, Man's World'
from 'It's a Man's, Man's, Man's World' (1966) (MP3 not available/CD not available)
Roy Ayers 'Brother Green (The Disco King)'
from 'Mystic Voyage' (1974) (MP3/CD)
Soul Searchers 'Funk to the Folks'
from 'Salt of the Earth' (1974) (MP3 not available/Import CD)
Zapp 'More Bounce to the Ounce'
from 'Zapp' (1979) (MP3/CD)
Related Posts:
Source Material: Marvin Gaye 'Trouble Man'
Welcome to part 2 of our three part look at Ice Cube's 1990 debut album 'AmeriKKKa's Most Wanted'.Sir Jinx and the Bomb Squad dig deep for Betty Davis' 'Shoo-B-Doop and Cop Him' from her sophomore album 'They Say I'm Different' for Ice Cube's 'Once Upon a Time in the Projects'. Look below in the bonus cuts section for further info on Betty Davis. The Bomb Squad pull yet another early Kool and the Gang track on 'Turn Off the Radio', which uses the 1972 album cut 'Rated X'. The track also samples Isaac Hayes' 'Truck Turner' soundtrack cut 'House of Beauty' and late 80s R&B group Guy's 'Piece of My Love'. Chuck D joins Cube on 'Endangered Species (Tales from the Darkside)', rhyming over the familiar 'Funky Drummer' rhythm by James Brown and the title track from Parliament's 1974 album 'Standing on the Verge of Getting It On'. The album lightens up a bit, for better or worse, with Cube's 'A Gangsta's Fairytale', which samples J.B. associate Maceo Parker's 1974 single 'Parrty' from Maceo and the Macks' album 'Us!'.
Check back for out third and final look at 'AmeriKKKa's Most Wanted'.The Lowdown:
Ice Cube 'Once Upon a Time in the Projects', 'Turn Off the Radio', 'Endangered Species (Tales from the Darkside)', and 'A Gangsta's Fairytale'
from 'AmeriKKKa's Most Wanted' (1990) (MP3/CD)
Betty Davis 'Shoo-B-Doop and Cop Him'
from 'They Say I'm Different' (1974) (MP3/CD not available)
Kool and the Gang 'Rated X'
from 'Good Times' (1972) (MP3 not available/CD not available)
Isaac Hayes 'House of Beauty'
from 'Truck Turner' (1974) (MP3/CD)
Guy 'Piece of my Love'
from 'Guy' (1988) (MP3/CD)
James Brown 'Funky Drummer'
from 'Funky Drummer' 7" (1970) (MP3 not available/CD not available)
Parliament 'Standing on the Verge of Getting It On'
from 'Standing on the Verge of Getting It On' (1974) (MP3/CD)
Maceo and the Macks 'Parrty'
from 'Us!' (1974) (MP3 not available/Import CD)
Bonus Cuts:
Extrovert ex-wife of Miles Davis, Betty Davis had a storied, but until recently relatively unknown, music career. Seattle label Light in the Attic has reissued the first two Betty Davis albums with further plans to release previously unissued tracks. Of course, heavy funk from Miles Davis' stable is hard to resist by hip-hop producers, 'Shoo-B-Doop and Cop Him' sampled on 'Once Upon a Time in the Projects' was itself sampled by Redman on 'Jersey Yo!'.
After splitting with N.W.A., one of hip-hop's hottest properties of the late 80s linked up with Public Enemy's production unit the Bomb Squad for one of rap's most commanding and controversial debut albums, Ice Cube's 'AmeriKKKa's Most Wanted'. This three part arc will cover the sample sources of Ice Cube's dense first album.The Bomb Squad, Cube, and Sir Jinx all lend a hand in production to 'The N---- Ya Love to Hate'h which draws a sample from a familiar source in West Coast rap going forward George Clinton's 'Atomic Dog'. The track also samples 'Weak at the Knees' by ex-Slave member Steve Arrington's Hall of Fame from the 1983 boastfully titled album 'Steve Arrington's Hall of Fame Vol. 1' (note the absence of a volume 2). The title track to 'AmeriKKKa's Most Wanted' uses a slew of breaks: Sly and the Family Stone's 'Advice', the early Kool and the Gang joint 'Let the Music Take Your Mind', Bar-Kays' 'Humpin'', and the title track to James Brown's 1972 burner 'There it is'. The short 'What They Hittin' Foe?' manages to incorporate 'Sister Sanctified' from Stanley Turrentine's 1972 album 'Cherry' and 'The Jugglers' from the Average White Band's 1973 album 'Show Your Hands'. 'You Can't Fade Me' knicks another early Kool and the Gang track: 'Pneumonia' as well as Parliament's 'Rumpofsteelskin' from 1977's 'Motor-Booty Affair'.
Check back for part 2 of our look at 'AmeriKKKa's Most Wanted'.The Lowdown:
Ice Cube 'The N---- Ya Love to Hate', 'AmeriKKKa's Most Wanted', 'What They Hittin' Foe?', and 'You Can't Fade Me'
from 'AmeriKKKa's Most Wanted' (1990) (MP3/CD)
George Clinton 'Atomic Dog'
from 'Computer Games' (1982) (MP3 not available/CD)
Steve Arrington's Hall of Fame 'Weak at the Knees'
from 'Steve Arrington's Hall of Fame Vol. 1' (1983) (MP3/CD not available)
Sly and the Family Stone 'Advice'
from 'A Whole New Thing' (1967) (MP3/CD)
Kool and the Gang 'Let the Music Take Your Mind'
from 'Kool and the Gang' (1969) (MP3 not available/CD not available)
Bar-Kays 'Humpin''
from 'Gotta Groove' (1969) (MP3/CD)
James Brown 'There it is'
from 'There it is' (1972) (MP3/CD not available)
Stanley Turrentine 'Sister Sanctified'
from 'Cherry' (1972) (MP3 not available/Import CD)
Average White Band 'The Jugglers'
from 'Show Your Hands' (1973) (MP3 not available/CD)
Kool and the Gang 'Pneumonia'
from 'Pneumonia' 7" (1970) (MP3 not available/CD not available)
Parliament 'Rumpofsteelskin'
from 'Motor-Booty' Affair' (1977) (MP3/CD)
Related Posts:
Rewind: Ice Cube 'Jackin' For Beats'
Rewind: Del 'I Wish My Brother George Was Here' (Part 1)
Rewind: Del 'I Wish My Brother George Was Here' (Part 2)
Rewind: Del 'I Wish My Brother George Was Here' (Part 3)
