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January was a burner on this blog! On some months, it's a no-brainer to pick five essential beats, but this month we covered so many heavy beats that it was hard to pick a top five. That being said, this months Five On It is all killer.
For our review of James Brown's classic blaxploitation soundtrack 'Black Caesar', we mentioned the influence of James' 'The Boss', a career defining bad ass anthem. During our review of the samples used on Spice 1's 'Spice 1', we mentioned the classic Funkadelic cut 'One Nation Under a Groove' that should already be a part of your party rocking playlist. James couldn't be confined by one beat on is month's list: 'Funky President (People It's Bad)' was mentioned in our second look at DJ Premier's production work and coincidentally during the month of the inauguration of America's funky president. A happy coincidence, I assure you.
During our first look at Ghostface's 'Supreme Clientele', we mentioned the breakbeat party starter 'Do the Funky Chicken' by Rufus Thomas, one of the many serious Stax breaks by the king of dances that will no doubt be covered in future blog posts. Finally, from the second look at 'Supreme Clientele' is the Curtis Mayfield produced 'Hard Times' by the Living Legend Baby Huey. Look below for more Baby Huey breaks.The Lowdown:
James Brown 'The Boss'
from 'Black Caesar' (1973) (MP3/CD)
Funkadelic 'One Nation Under a Groove'
from 'One Nation Under a Groove' (1978) (MP3 not available/CD not available)
James Brown 'Funky President (People It's Bad)'
from 'Reality' (1975) (MP3 not available/CD not available)
Rufus Thomas 'Do the Funky Penguin'
from 'The Crown Prince of Dance' (1973) (MP3 not available/CD not available)
Baby Huey 'Hard Times'
from 'The Living Legend' (1970) (MP3/CD)BONUS CUTS:
'The Living Legend' by Baby Huey is full outstanding breaks used regularly by producers. 'Listen to Me' was sampled for both Eric B. and Rakim's 'Follow the Leader' and Public Enemy's 'Revolutionary Generation' while the wah guitar squall and heavy drums of 'Runnin'' and the full out funk party of 'Mighty Mighty' are ripe for the plucking. 'The Living Legend' is the lone album by Baby Huey, released after his untimely death. One can only imagine the albums he could've made if his career wasn't cut so short.
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Welcome to our final look at Kanye West's production output from 2003 (and man, was the dude busy - for 2003 alone, there are previous posts here and here).
A relatively unknown production credit from Kanye is 'Dogs Out' from DMX's widely forgotten 2003 album 'Grand Champ'. I'm not so sure about X's delivery, but the beat is among Kanye's best from the period - it samples the Phil Spector produced 1958 hit 'Dedicated to the One I Love' by the Shirelles. Another West produced non-single from 2003 is Fabolous' 'My Life' from 'Street Dreams', which samples 'Pride and Vanity' from the early Ohio Players album 'Pleasure'. Lil Kim's 'La Bella Mafia' album cut 'Came Back for You' produced by West samples Irene Reid's 'Didn't We' from her 1971 album 'The World Needs What I Need'.
Finally, Royce Da 5'9"'s 'Heartbeat' has caused a lot of controversy from both the Royce camp and the Kanye camp. West contends that Royce never paid for his beat to 'Heartbeat' (which samples Junior Walker's 'Darling Come Back Home' from 1978), but recorded on it and released it in 2003 on his mixtape 'Build and Destroy: The Lost Sessions Part 1'.
Check back for our look at Kanye West's production credits from 2004 as well as a look at his album 'The College Dropout' coming soon.The Lowdown:
DMX 'Dogs Out'
from 'Grand Champ' (2003) (MP3/CD)
Clean Edit: 'Dogs Out'
The Shirelles 'Dedicated to the One I Love'
from 'Dedicated to the One I Love' 7" (1958) (MP3 not available/CD not available)
Fabolous 'My Life'
from 'Street Dreams' (2003) (MP3/CD)
Clean Edit: 'My Life'
The Ohio Players 'Pride and Vanity'
from 'Pleasure' (1972) (MP3 not available/CD)
Lil Kim 'Came Back for You'
from 'La Bella Mafia' (2003) (MP3/CD)
Clean Edit: 'Came Back for You'
Irene Reid 'Didn't We'
from 'The World Needs What I Need' (1971) (MP3 Not Available/CD Not Available)
Royce Da 5'9" 'Heartbeat'
from 'Build and Destroy: The Lost Sessions Part 1' (2003) (MP3 not available/CD)
Jr. Walker 'Darling Come Back Home'
from '...Smooth' (1978) (MP3 Not Available/CD Not Available)
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After two of his most sought after albums, 'Song of Innocence' and 'Songs of Experience', David Axelrod released his final solo album for Capitol records in 1970: 'Earth Rot'. Like much of his output, this album is highly sought after by beat diggers and has been sampled by hip-hop's finest. This post will cover 'Earth Rot', as well as some of his production credits for Cannonball Adderley.
'Earth Rot' is divided into two concept album sides and is not as widely known for its beats. In 1994, No I.D. sampled Axelrod's 'The Signs (Part 2)' on the title track single to Common's sophomore album 'Resurrection'. The same track would be sampled by Madlib among many others (including other Axelrod tracks) on 'Return of the Loop Digga' as Quasimoto, whose album 'The Unseen' is reviewed in depth here, here, and here. In 1999, Diamond D and Mos Def would use another sample from 'Earth Rot', 'The Warnings (Part 2)' for the track 'Hip Hop' from Mos Def's breakthrough album 'Black on Both Sides' (which will be reviewed in depth soon in a future post on this blog).
In addition to producing his own material, Axelrod continued his role as producer on much of Cannonball Adderley's 70s output. Among the many Adderley albums that have been sampled is 1970's 'The Price You Pay to Be Free' whose song 'Exquisition' was sampled for the Pharcyde's 'Pack the Pipe' produced by J-Swift. 'Soul Virgo' from the same album is one of the samples used by A Tribe Called Quest on 'Bonita Applebum' from their debut 'Peoples' Instinctive Travels and the Paths of Rhythm'. Six years later, Tribe would sample another Cannonball Adderley track. An untitled track from Adderley's 'Black Messiah' album was sampled by Jay Dee (J Dilla) and the Ummah for Tribe's '1nce Again' from 'Beats, Rhymes, and Life'.
Check back for our next look at David Axelrod's production career.The Lowdown:
David Axelrod 'The Signs (Part 2)' and 'The Warnings (Part 2)'
from 'Earth Rot' (1970) (MP3/CD)
Common 'Resurrection'
from 'Resurrection' (1994) (MP3/CD)
Quasimoto 'Return of the Loop Digga'
from 'The Unseen' (2000) (MP3/CD)
Mos Def 'Hip Hop'
from 'Black on Both Sides' (1999) (MP3/CD)
Cannonball Adderley 'Exquisition' and 'Soul Virgo'
from 'The Price You Pay to Be Free' (1970) (MP3 not available/CD not available)
The Pharcyde 'Pack the Pipe'
from 'Bizarre Ride II The Pharcyde' (1991) (MP3/CD)
A Tribe Called Quest 'Bonita Applebum'
from 'Peoples' Instinctive Travels and the Paths of Rhythm' (1990) (MP3/CD)
Cannonball Adderley 'Untitled'
from 'Black Messiah' (1972) (MP3 not available/CD not available)
A Tribe Called Quest '1nce Again'
from 'Beats, Rhymes, and Life' (1996) (MP3/CD)
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Welcome to the final post in our three part look at Ghostface Killah's 2000 album 'Supreme Clientele'.
Carlos Broady produced the beat for the album track 'We Made It', which samples Syl Johnson's 1973 track 'I Hate I Walked Away' from his album 'Back for a Taste of Your Love'. Another highlight on 'Supreme Clientele' is the non-single track 'Malcolm'. 'Malcolm', along with samples of a speech my Malcolm X, uses the beat from Isaac Hayes' 'Going in Circles' from his 1973 double album 'Black Moses'. One of my personal favorite tracks on this album is the RZA produced track 'Child's Play' which perfectly flips the drum and electric piano intro from George Jackson's 1972 single 'Aretha, Sing One for Me'. Additionally, RZA uses the highly samplable intro to Mountain's 'Long Red', a b-boy essential. The album's biggest charting single (hitting 98 on the Billboard 100) is 'Cherchez LaGhost' which reinterpolates Dr. Buzzard's single 'Cherchez LaFemme' from their 1975 album 'Dr.Buzzard's Original Savannah Band'.
'Supreme Clientele', though not a huge seller, is seen as one of the best hip-hop albums from the 90s and still is acclaimed critically. Ghostface followed with 2001's 'Bulletproof Wallets' (not nearly as bad as people make it out to be), breaking with Epic, and resigning with Def Jam. Look out for more posts about Ghostface's other albums in the future of this blog.The Lowdown:
Ghostface Killah 'We Made It', 'Malcolm', 'Child's Play', and 'Cherchez LaGhost'
from 'Supreme Clientele' (2000) (MP3/CD)
Syl Johnson 'I Hate I Walked Away'
from 'Back for a Taste of Your Love' (1973) (MP3 not available/CD not available)
Isaac Hayes 'Going in Circles'
from 'Black Moses' (1973) (MP3/CD)
George Jackson 'Aretha, Sing One for Me'
from 'Aretha, Sing One for Me' 7" (1972) (MP3 not available/CD not available)
Mountain 'Long Red'
from 'Mountain Live' (1972) (MP3 not available/Import CD)
Dr. Buzzard 'Cherchez LaFemme'
from 'Dr.Buzzard's Original Savannah Band' (1975) (MP3/CD)
BONUS CUT:
It sucks that I can't offer a download for George Jackson's AWESOME 'Aretha, Sing One for Me', but I did find a download for Cat Power's recent cover of 'Aretha, Sing One for Me'. What an unusual song to decide to cover for a major label, check it out.
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Welcome to part 2 of our 3 part look at 'Supreme Clientele' by Ghostface Killah.
'Supreme Clientele''s RZA produced Wu posse cut is 'Buck 50', which I presume is one of the album's 50 Cent disses. RZA samples the Curtis Mayfield produced 'Hard Times' by Baby Huey from his lone, posthumous album 'The Living Legend' from 1970. Mathematics produced the beat for Ghost's 'Mighty Healthy', which samples 'Wish That I Could Talk to You' from the Sylver's self titled 1972 album as well as James Brown's 'Funky President' from 1975's 'Reality'. Harold Melvin and the Blue Notes' 'Hope That We Can Be Together Soon' plays behind the skit titled 'Woodrow the Basshead' (sorry, no download for this one - you'll have to buy the full album to hear it) to excellent effect. Finally, Inspectah Deck samples David Axelrod's 'Strange Ladies'-era song 'Terri's Tune' for Ghostface's 'Stay True (Deck's Beat)'. Inspectah is digging in the crates for that one!
Check back for the third and final part of our look at 'Supreme Clientele'.The Lowdown:
Ghostface Killah 'Buck 50', 'Mighty Healthy', 'Woodrow the Basshead', and 'Stay True (Deck's Beat)'
from 'Supreme Clientele' (2000) (MP3/CD)
Baby Huey 'Hard Times'
from 'The Living Legend' (1970) (MP3/CD)
The Sylvers 'Wish That I Could Talk to You'
from 'The Sylvers' (1972) (MP3 not available/CD not available)
James Brown 'Funky President (People It's Bad)'
from 'Reality' (1975) (MP3 not available/CD not available)
Harold Melvin and the Blue Notes 'Hope That We Can Be Together Soon'
from 'To Be True' (1975) (MP3/CD not available)
David Axelrod 'Terri's Tune'
from 'Strange Ladies' (1977) (MP3 not available/CD not available)
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Often seen as one of the best Wu-Tang solo efforts, 2000's 'Supreme Clientele' is bursting with rugged street rhymes mixed with soulful production. This blog's three part arc will cover the samples used in 'Supreme Clientele'.
The first proper track (after the intro) is 'Nutmeg' produced by Black Moses-Art. The track samples 'It's Over' from Eddie Holman's 1977 album 'A Night to Remember'. One of the album's standout tracks is 'One', though it was never properly released as a single. Juju samples 'You Roam When You Don't Get it at Home' by the Sweet Inspirations for 'One''s beat. 'Supreme Clientele''s lead single is the Hassan produced 'Apollo Kids', a classic Ghost and Raekwon track. Hassan samples 'Cool Breeze' by Solomon Burke from the 1972 soundtrack to the movie 'Cool Breeze'. One of the RZA's four beats on the album is the beat for 'The Grain', a track where he also has a guest verse. 'The Grain' samples Stax legend Rufus Thomas and his dance single 'Do the Funky Chicken' from 1973's 'The Crown Prince of Dance'.
Check back for part 2 of our look at 'Supreme Clientele'.The Lowdown:
Ghostface Killah 'Nutmeg', 'One', 'Apollo Kids', and 'The Grain'
from 'Supreme Clientele' (2000) (MP3/CD)
Eddie Holman 'It's Over'
from 'A Night to Remember' (1977) (MP3 not available/Import CD)
Sweet Inspirations 'You Roam When You Don't Get it at Home'
from 'Estell, Myrna, and Sylvia' (1968) (MP3 not available/CD)
Solomon Burke 'Cool Breeze'
from 'Cool Breeze' (1972) (MP3 not available/CD not available)
Rufus Thomas 'Do the Funky Chicken'
from 'The Crown Prince of Dance' (1973) (MP3 not available/CD not available)
This may seem like a rehash of a previous post, but it's much more than that. Amazon is now offering downloads of David Axelrod's difficult to find albums 'Song of Innocence' and 'Songs of Experience'. When I found out that these are now available, I decided to reboot this entire post with new up-to-date links so all you beat heads could get your hands on two of Axelrod's most influential works. The following is the original post with two new bonus cuts. Enjoy the newly updated part 2 of Axelrod's producer profile.After Axelrod's success as a producer for others, he was encouraged to produce his own instrumental albums. In 1968, he released his first album 'Song of Innocence', an concept album that was loosely based on the writings of 18th century artist William Blake. The album would also contain some of the most sought-after beats by crate diggers worldwide. 'Holy Thursday' was one of the many samples used by Madlib on the Quasimoto track 'Return of the Loop Digga', but most recently it emerged (to my astonishment) as the backing to Lil Wayne's 'Dr. Carter' from the hugely popular 'Tha Carter III'. Swizz Beatz delivered Weezy with an unusually simple looped up 'Holy Thursday' bassline - it's a step out of the norm for both the artist and the producer. 'The Mental Traveller' from 'Song of Innocence' was used by Ras Kass on 'Soul on Ice' from his 1996 debut album also titled 'Soul on Ice'. |
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Axelrod followed 'Song of Innocence' with another Blake themed album, the instrumental 'Songs of Experience'. Axelrod's 'The Human Abstract' would be sampled heavily for DJ Shadow's moody single 'Midnight in a Perfect World' from his outstanding debut album 'Endtroducing...'. Kool G Rap would sample the 'Songs of Experience' track 'A Divine Image' on his track 'Take 'em to War' from his first solo album '4, 5, 6'. 'A Divine Image' was sampled again three years later by DJ Muggs on Cypress Hill's '16 Men Till There's No Men Left'.
Axelrod would only release one more album through Capitol, 1970's 'Earth Rot', before splitting with the label. Through the 70s, he recorded several more albums for RCA, Decca, Polydor, and MCA.The Lowdown:
David Axelrod 'Holy Thursday' and 'The Mental Traveler'
from 'Song of Innocence' (1968) (MP3/CD not available)
Quasimoto 'Return of the Loop Digga'
from 'The Unseen' (2000) (MP3/CD)
Lil Wayne 'Dr. Carter'
from 'Tha Carter III' (2008) (MP3/CD)
Ras Kass 'Soul On Ice'
from 'Soul on Ice' (1996) (MP3/CD not available)
David Axelrod 'The Human Abstract' and 'A Divine Image'
from 'Songs of Experience' (1969) (MP3/CD)
DJ Shadow 'Midnight in a Perfect World'
from 'Endtroducing...' (1996) (MP3/CD)
Kool G Rap 'Take 'em to War'
from '4, 5, 6' (1995) (MP3/CD)
Cypress Hill '16 Men 'til There's No Men Left'
from 'Cypress Hill IV' (1998) (MP3/CD)
Clean Edit: '16 Men 'til There's No Men Left'
BONUS CUTS:
Now that I can offer a download of it, here is another 'Song of Innocence' cut that got sampled. The album's opening cut 'Urizen' was sampled for the Jurassic 5 / Big Daddy Kane posse cut 'A Day at the Races' produced by Cut Chemist.
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Justin Smith, better known as Just Blaze, began his production career in his native New Jersey before becoming one of Roc-A-Fella Records' in house producers (along with Kanye West during the same time period). This post will cover Just Blaze's early production credits from 2000-2001 and his deep crate sample sources.
Just Blaze's first big break came on Jay-Z's 'The Dynasty: Roc La Familia' from 2000. On the album, Just Blaze produced five tracks including 'Soon You'll Understand', which samples Al Kooper's film score track 'Love Theme' from 1971's 'The Landlord'. One of Blaze's fortés is flipping rock samples, and an early example is on 'In My Life' from Memphis Bleek's 2000 album 'The Understanding'. For 'In My Life', Just Blaze uses Foreigner's ultra-cheesy ballad 'I Want to Know What Love Is' (who does that?!). One of my personal favorite tracks from Beanie Sigel's album 'The Reason' is the bombastic 'Get Down' which snips a sample from Quincy Jones' score for 'The Lost Man'.
Check back for part 2 of our look at Just Blaze's production career.The Lowdown:
Jay-Z 'Soon You'll Understand'
from 'The Dynasty: Roc La Familia' (2000) (MP3/CD)
Clean: 'Soon You'll Understand'
Al Kooper 'Love Theme'
from 'The Landlord' (1971) (MP3 not available/CD not available)
Memphis Bleek 'In My Life'
from 'The Understanding' (2000) (MP3/CD)
Clean Edit: 'In My Life'
Foreigner 'I Want to Know What Love Is'
from 'Agent Provocateur' (1984) (MP3/CD)
Beanie Sigel 'Get Down'
from 'The Reason' (2001) (MP3/CD)
Clean Edit: 'Get Down'
Quincy Jones 'Lost Man'
from 'The Lost Man' (1968) (MP3 not available/CD not available)
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Welcome to part two of our look at James Brown soundtrack for 'Black Caesar'.
Sure, 'Down and Out...' and 'The Boss' are obvious tracks to sample, but hip-hop's finest have made use of some of 'Black Caesar''s lesser known album cuts too. Large Professor assisted Kool G Rap on the production of 'Play it Again, Polo' which used a sample of 'Black Caesar''s album cut 'Make it Good to Yourself'. James wrote and produced much of Lyn Collins' output, including her vocal contribution to 'Black Caesar' titled 'Mama Feelgood'. The blazing funk of 'Mama Feelgood' was used by Marley Marl for Big Daddy Kane's 1988 track 'Raw' from the album 'Long Live Kane'. Primo dips into James Brown's back catalog again for the beat to Gang Starr's 'I'm The Man' from their classic 'Daily Operation' album. DJ Premier sampled the 'Black Caesar' album cut 'White Lightning (I Mean Moonshine)' for 'I'm the Man'.
The film 'Black Caesar' was a success, as was the soundtrack. The team behind the film quickly started to develop a sequel that was released in late 1973 and titled 'Hell Up in Harlem'. James Brown was originally attached for the score, but (as the legend goes) had his music reject as it was not "funky enough" for the film. The song that was rejected would later be the title track to his 1974 album 'The Payback'. Notably, the soundtrack to 'Hell Up in Harlem' was ably handled by Edwin Starr, Fonce Mizell, and Freddie Perren - look for a future post regarding the 'Hell Up in Harlem' soundtrack.The Lowdown:
James Brown 'Make it Good to Yourself' and 'White Lightning (I Mean Moonshine)'
from 'Black Caesar' (1973) (MP3/CD)
Kool G Rap and DJ Polo 'Play it Again, Polo'
from 'Wanted: Dead or Alive' (1990) (MP3/CD not available)
Lyn Collins 'Mama Feelgood'
from 'Black Caesar' (1973) (MP3/CD)
Big Daddy Kane 'Raw'
from 'Long Live Kane' (1988) (MP3 not available/CD)
Gang Starr 'I'm the Man'
from 'Daily Operation' (1992) (MP3/CD)
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In the period of 1971 to 1974, James Brown had 25 top 100 charting singles and released 9 full length albums, all while extensively touring the country. Among some of his career defining releases is the soundtrack to 1973's 'Black Caesar', which was a nod to the film Little Caesar and not a nod to the 16th century pirate called Black Casear. The film helped launch former-football star Fred Williamson's career and also gave hip-hop some of its best ammunition. This two part blog arc will cover the contribution of 'Black Caesar''s samples to hip-hop.
The album's excellent opening track 'Down and Out in New York City' was Black Caesar's lone single. DJ Premier used it as the backing for Rakim's 'New York (Ya Out There)' from his 1997 solo album 'The 18th Letter'. James Brown's 'Blind Man Can See It' was used in 1990 by Diamond D for Lord Finesse's hip-hop landmark 'Funky Technician'. Two years later, Das EFX used the same song for their YO MTV Raps! staple 'They Want EFX'.
One of 'Black Caesar''s highlights, both on the soundtrack and in the film, is 'The Boss' - an overlooked classic in James' catalog. The beat is not overlooked in the world of hip-hop though: Ice-T used 'The Boss' for his 1989 track 'You Played Yourself'. In 2002, Salaam Remi produced Nas' 'Get Down', a hit from Nas' album 'God's Son' due to its throwback appeal.
Check back for part two of our look at 'Black Caesar'.The Lowdown:
James Brown 'Down and Out in New York City', 'Blind Man Can See It', and 'The Boss'
from 'Black Caesar' (1973) (MP3/CD)
Rakim 'New York (Ya Out There)'
from 'The 18th Letter' (1997) (MP3/CD)
Lord Finesse and DJ Mike Smooth 'Funky Technician'
from 'Funky Technician' (1990) (MP3/CD)
Das EFX 'They Want EFX'
from 'Dead Serious' (1992) (MP3 not available/CD)
Ice-T 'You Played Yourself'
from 'The Iceberg' (1989) (MP3/CD)
Nas 'Get Down'
from 'God's Son' (2002) (MP3/CD)
