5000

Crate Creator has had a long fruitful run and we covered a lot of information in the past 214 posts, but I feel it's time to take a break and re-tool the blog a little bit to make it more informative and more useful for crate diggers around the world. I will hopefully be returning in the near future with a new layout that will make finding those dusty breaks easier and I plan to de-emphasize the rappers who sampled recordings and try to focus more on the production aspect. Thank you to everyone who read and wrote me during this blog's first run. Big shout out to Dana Axelrod for the kind words at a time when I didn't know if I was going to push forward with writing post after post. I hope everything got sorted with that malicious story in the papers, man!

See you all soon,
Cosby.

Rewind: Massive Attack 'Protection'

Any band would be hard-pressed to follow up an acclaimed debut album, much less one that started a new genre in England, but Massive Attack did just that in style in 1994 when they released their sophomore album 'Protection'. This blog post will look at the sample sources of Massive Attack's second album.

The sped up guitar pangs that lead the album's single 'Protection' along are sampled from one of the coldest 7 minutes in funk history: James Brown's 'Payback' from his 1973 album of the same title. On 'Weather Storm', Massive Attack sample the jazz-fusion group Peices of a Dream's 'It's Time for Love' from their 1983 album 'Imagine This'. Horace Andy accompanies Massive Attack on 'Spying Glass' which utilizes a sample from Joe Gibbs and the Professional's famous dub cut 'Chapter 3'. JB gets sampled again on the album, this time Massive Attack use his 1972 cut 'Never Can Say Goodbye' from 'There It Is' on the track 'Better Things'. The title of the single 'Sly' alludes to its sample source: Sly Stone of course with 'Africa Talks to You (The Asphalt Jungle)' from Sly and the Family Stone's 1971 album 'There's a Riot Goin' On'. Finally, on the hidden live track 'Light My Fire', a cover of the Doors, Massive Attack sample another cover of the same song: Young-Holt Unlimited's cover of 'Light My Fire' from thier album 'Just a Melody'.

The Lowdown:
Massive Attack 'Protection', 'Weather Storm', 'Spying Glass', 'Better Things', 'Sly', and 'Light My Fire'
from 'Protection' (1994) (MP3/CD)
James Brown 'Payback'
from 'Payback' (1973) (MP3/CD)
Pieces of a Dream 'It's Time for Love'
from 'Imagine This' (1983) (MP3/CD)
Joe Gibbs and the Professionals 'Chapter 3'
from 'African Dub All-Mighty Chapter 3' (1978) (MP3 not available/CD)
James Brown 'Never Can Say Goodbye'
from 'There it Is' (1972) (MP3/CD not available)
Sly and the Family Stone 'Africa Talks to You (The Asphalt Jungle)'
from 'There's a Riot Goin' On' (1971) (MP3/CD)
Young-Holt Unlimited 'Light My Fire'
from 'Just a Melody' (1969) (MP3 not available/CD not available)

The Breaks: 'Get Out of My Life Woman' Covers (Part 2)

Welcome to our second look at covers of Allen Toussaint's 'Get Out of My Life Woman', popularized by Lee Dorsey, and the artists and producers who sampled the covers.

In addition to famously shouting out Lee Dorsey, the Beastie Boys sampled a cover of 'Get Out of My Life Woman' on their song 'The Move' from 1998's 'Hello Nasty'. The version they sampled is the 1968 rock version of 'Get Out of My Life Woman' from Iron Butterfly's album 'Heavy'. I don't know why more people haven't sampled this version! Tellingly from the album's title, 'The Grass is Greener', 'Get Out of My Life Woman' by Grasella Oliphant attracted the eye of Cypress Hill producer DJ Muggs who used the track on 'What Go Around Comes Around, Kid' from 1993's 'Black Sunday'.

One of the most sampled versions of this song, aside from the original, is also from 1968: Solomon Burke's version of 'Get Out of My Life Woman' from his album 'I Wish I Knew' has become a hip-hop sample building block. The track was sampled twice in 1992 by West Coast artists - one by Dr. Dre for the track 'The Chronic' from his album of the same name and once by DJ Muggs for Ice Cube's 'Now I Gotta Wet Cha' from 'The Predator'. In 1993, it was sourced by T-Ray for Funkdoobiest's 'I'm S---tin' on 'Em'. A year later, DJ Richie Rich would use the cut for 3rd Bass' deep album cut 'Daddy Rich in the Land of 1210' from the album 'Derelicts of Dialect'. The song was also sampled on the Wild Pitch staple 'Blue Cheese' by the UMC's - a favorite among breakers. In 2005, courtesy of production by John Legend and Kanye West, the song was again sampled by Keyshia Cole on the song 'I Changed My Mind' from 2005's 'The Way it Is'.

The Lowdown:
Iron Butterfly 'Get Out of My Life Woman'
from 'Heavy' (1968) (MP3/CD)
Beastie Boys 'The Move'
from 'Hello Nasty' (1998) (MP3/CD)
Grasella Oliphant 'Get Out of My Life Woman'
from 'The Grass is Greener' (1968) (MP3 not available/CD)
Cypress Hill 'What Go Around Comes Around, Kid'
from 'Black Sunday' (1993) (MP3/CD)
Clean Edit: 'What Go Around Comes Around, Kid'
Solomon Burke 'Get Out of My Life Woman'
from 'I Wish I Knew' (1968) (MP3/CD)
Dr. Dre 'The Chronic'
from 'The Chronic' (1992) (MP3/CD)
Ice Cube 'Now I Gotta Wet Cha'
from 'The Predator' (1992) (MP3/CD)
Clean Edit: 'Now I Gotta Wet Cha'
Funkdoobiest 'I'm S---tin' on 'Em'
from 'Which Doobie U B?' (1993) (MP3/CD not available)
3rd Bass 'Daddy Rich in the Land of 1210'
from 'Derelicts of Dialect' (1994) (MP3/CD not available)
The UMC's 'Blue Cheese'
from 'Wild Pitch Classics' (1994) (MP3/CD)
Keyshia Cole 'I Changed My Mind'
from 'The Way it Is' (2005) (MP3/CD)

The Breaks: 'Get Out of My Life Woman' Covers (Part 1)

Two months ago, we covered Lee Dorsey's break form his cover of Allen Toussaint's legendary 'Get Out My Life Woman' and the producers and artists who sampled it here and here. This month - a different take on the same song: we'll be looking at the producers and artists who sampled other covers of the song in a two part post arc.

Joe Williams has one of the earliest covers of the song with the slightly renamed 'Get Out of My Life' from his 1966 album 'Presenting Joe Williams with Thad Jones and the Mel Lewis Jazz Orchestra'. This song was sampled by Haas G and RNS for an album cut in the UMC's Wild Pitch album 'Fruits of Nature' on a track called 'Woman Be Out'. A year later, the Trackmasters used the same break on the much more notable single 'Ill Street Blues' by Kool G Rap and DJ Polo. In 1993, T-Ray sampled the break for Funkdoobiest's song 'I'm S---ting on 'Em' on the album 'Which Doobie U B?'. Another year later, Large Professor used the cut for Main Source and Large Professor's track on the 'Wild Pitch Classics' compilation titled 'How My Man Went Down in the Game'. In 2000, Jill Scott used the song on her track 'Brotha' produced by Keith Pelzer.

In 1966, the Mad Lads delivered 'Get Out of My Life' on their 'In Action' album. Nearly 3 decades later in 1995, DJ Ralph M would sample the song for Funkdoobiest's 'Superhoes' on the album 'Brothas Doobie'. One of the odder versions of 'Get Out of My Life Woman' comes courtesy of Bill Cosby. On his 1968 album 'Hooray for the Salvation Army Band', Cosby covers 'Get Out of My Life Woman'. Of course this one was sampled too! Chubb Rock and Howie Tee used it in 1991 for the cut 'The Big Man' while in the same year, DJ Muggs used the sample for Cypress Hill's 'Stoned is the Way of the Walk' from their self-titled debut album. In 1992, DJ Premier sampled Cosby for Gang Starr's 'The Illest Brother' from their essential album 'Daily Operation'. Finally, in 1994, the Digable Planets sampled the song on 'Jettin'' from their second and final album 'Blowout Comb'.

Check back for more 'Get Out of My Life Woman' covers and more hip-hop cuts based on them.

The Lowdown:
Joe Williams 'Get Out of My Life'
from 'Presenting Joe Williams with Thad Jones and the Mel Lewis Jazz Orchestra' (1966) (MP3/CD not available)
The UMC's 'Woman Be Out'
from 'Fruits of Nature' (1991) (MP3/CD not available)
Kool G Rap and DJ Polo 'Ill Street Blues'
from 'Live and Let Die' (1992) (MP3/CD)
Funkdoobiest 'I'm S---tin' On 'Em'
from 'Which Doobie U B?' (1993) (MP3/CD not available)
Main Source and Large Professor 'How My Man Went Down in the Game'
from 'Wild Pitch Classics' (1994) (MP3/CD)
Jill Scott 'Brotha'
from 'Who is Jill Scott?' (2000) (MP3/CD)
Mad Lads 'Get Out of My Life'
from 'In Action' (1966) (MP3/CD)
Funkdoobiest 'Superhoes'
from 'Brothas Doobie' (1995) (MP3/CD not available)
Bill Cosby 'Get Out of My Life Woman'
from 'Hooray for the Salvation Army Band' (1968) (MP3/CD not available)
Chubb Rock 'The Big One'
from 'The One' (1991) (MP3/CD)
Cypress Hill 'Stoned is the Way of the Walk'
from 'Cypress Hill' (1991) (MP3/CD)
Gang Starr 'The Illest Brother'
from 'Daily Operation' (1992) (MP3/CD)
Digable Planets 'Jettin''
from 'Blowout Comb' (1994) (MP3/CD)

Bonus Cut:
Kool G Rap and DJ Polo 'Ill Street Blues' (Acapella)

Producer Profile: The Dust Brothers (part 1, 1988)

The content and choice of samples in the early work by the Dust Brothers may be questionable, but what cannot be argued was how far they were ahead of conventional sampling in the late 80s and how much effect their work would have on the future of hip-hop. Love them or hate them, they are an important link between then and now. This post will look at the early production credits of the Dust Brothers, including their first batch of pop hits.

The first hit produced by the Dust Brothers, Young MC's 1988 single 'Know How' contains some of hip-hop's most hallowed breaks: Isaac Hayes' 'Theme from Shaft' and the Incredible Bongo Band's 'Apache'. The song also samples the hit 'Skin Tight' by the Ohio Players from 1973's album of the same title. Their success with Young MC would be followed by two gigantic hits for Tone Loc from his 1988 album 'Loc-ed After Dark'. 'Funky Cold Medina' famously samples Free's MOR rock hit 'All Right Now' and Kiss's 'Christine Sixteen', but also samples Funkadelic's 1979 sample-classic 'Knot Just (Knee Deep)' from the album 'Uncle Jam Wants You'. When most people think of the Dust Brother's early brash style of sampling, they think of Tone Loc's other hit 'Wild Thing' which features rapid fire blips of Van Halen's hit 'Jamie's Cryin'' from their self titled 1978 album.

Check back for further looks into the crates of the Dust Brothers and other producers in the future of this blog.

The Lowdown:
Young MC 'Know How'
from 'Know How' 12" (1988) (MP3 not available/CD not available)
Isaac Hayes 'Theme from Shaft'
from 'Shaft' (1971) (MP3/CD)
Incredible Bongo Band 'Apache'
from 'Bongo Rock' (1973) (MP3/Import CD)
The Ohio Players 'Skin Tight'
from 'Skin Tight' (1973) (MP3/CD)
Tone Loc 'Funky Cold Medina' and 'Wild Thing'
from 'Loc-ed After Dark' (1988) (MP3/CD)
Free 'All Right Now'
from 'Fire and Water' (1970) (MP3/CD)
Kiss 'Christine Sixteen'
from 'Love Gun' (1977) (MP3/CD)
Funkadelic 'Knot Just (Knee Deep)'
from 'Uncle Jam Wants You' (1979) (MP3 not available/Import CD)
Van Halen 'Jamie's Cryin''
from 'Van Halen' (1978) (MP3/CD)

Five On It: September 2009's Essentials

Welcome to our September installment of Five On It, the most essential five breaks and sample sources of the past month compiled in one easy to access section.

This month began with a classic in our look at Organized Konfusion's self titled debut album, the breakdance anthem 'The Mexican' from Babe Ruth's first album 'First Base'. In our second look at 'Organized Konfusion', we mentioned the huge drum break at the start of Herbie Hancock's famous 'Chameleon' from 1973's 'Headhunters'. Check out the link to 'Chameleon' - I don't think you'll find a cheaper download for the full album length track anywhere else! The David Axelrod produced album 'Release of an Oath' by the Electric Prunes covered here has the other-worldly 'General Confessional', which made its rounds as a digger's dream find in the 90s. From their 1968 debut album, Kool and the Gang's 'Give It Up' has been used numerous times in hip-hop sampling, sampled by Dr. Dre among others. Finally, during our producer profile of Mark the 45 King, we mentioned his use of the cut 'Soul Power 74' by Maceo and the Macks - a stirring J.B. inspired cut with a notable heavy sax solo that has seen its fair share of sampling in the past.

The Lowdown:
Babe Ruth 'The Mexican'
from 'First Base' (1972) (MP3/Import CD)
Herbie Hancock 'Chameleon'
from 'Headhunters' (1973) (MP3/CD)
Electric Prunes 'General Confessional'
from 'Release of an Oath' (1968) (MP3/CD)
Kool and the Gang 'Give it Up'
from 'Kool and the Gang' (1969) (MP3 not available/CD not available)
Maceo and the Macks 'Soul Power 74'
from 'Us!' (1974) (MP3 not available/Import CD)

Bonus Cuts:
Babe Ruth's 'The Mexican' was a building block for b-boy sets in the early days of hip-hop, but it was also a building block for one of hip-hop's earliest crossover hits: 'Planet Rock' by Afrika Bambaataa and the Soulsonic Force. Many people instantly think of Kraftwerk when 'Planet Rock' is mentioned, but a lengthy instrumental riff is lifted from 'The Mexican' as well. Another bonus download link: the 'Planet Rock' instrumental version!

Rewind: Jay-Z 'Vol. 2... Hard Knock Life'

Released on September 29th of 1998, Jay-Z's third full length, 'Vol. 2... Hard Knock Life' dropped following the breakout hit of its lead single. This post will look at the producers and the artists sampled for Jay-Z's hit album.

'Hard Knock Life (Ghetto Anthem)' was the polarizing lead single from the album, featuring Mark the 45 King flipping the song 'It's a Hard Knock Life' from Peter Gennaro's 1977 version of the broadway musical 'Annie'. No one could have foreseen the impact of sampling such a strange song, or the terrible knockoffs it would produce (I'm looking at you 'Anything'). On the J-Runnah produced 'A Week Ago', Jigga and Too Short rhyme over the Isley Brothers deep album cut 'Ballad for the Fallen Soldier' from their own hit album 'Between the Sheets' from 1983. The Erick Sermon produced 'Reservoir Dogs' features Jay-Z, Beanie Sigel, and innexplicably the Lox on the rhythm of Isaac Hayes' 'Theme from Shaft'. The song also features a sample of '24 Carat Black (Theme)' from 24 Carat Black's lone Stax album 'Ghetto: Misfortune's Wealth' from 1973, which has since been a highly coveted beat tool by producers. Jay-Z's 'It's Like That' finds Kid Capri sampling the rock song 'Beggar's Song' from Wet Willie's eponymous 1971 album. Finally, Jermaine Dupri and Jay-Z team up for the bonus track 'Money Ain't a Thing' which has Dupri sampling Steve Arrington's hit 'Weak at the Knees' and has the stuttered drum shuffle of Manu Dibango's African crossover hit 'Soul Makossa' from his 1972 album of the same title.

The Lowdown:
Jay-Z 'Hard Knock Life (Ghetto Anthem)', 'A Week Ago', 'Reservoir Dogs', 'It's Like That', and 'Money Ain't a Thing'
from 'Vol. 2' (1998) (MP3/CD)
Clean Edits: 'Hard Knock Life (Ghetto Anthem)', 'A Week Ago', 'Reservoir Dogs', 'It's Like That', and 'Money Ain't a Thing'
Peter Gennaro 'It's a Hard Knock Life'
from 'Annie' (1977) (MP3 not available/CD)
The Isley Brothers 'Ballad for the Fallen Soldier'
from 'Between the Sheets' (1983) (MP3/CD)
Isaac Hayes 'Theme from Shaft'
from 'Shaft' (1971) (MP3/CD)
24 Carat Black '24 Carat Black (Theme)'
from 'Ghetto: Misfortune's Wealth' (1973) (MP3 not available/CD)
Wet Willie 'Beggar's Song'
from 'Wet Willie' (1971) (MP3 not available/CD not available)
Steve Arrington 'Weak at the Knees'
from 'Steve Arrington Hall of Fame I' (1983) (MP3/CD not available)
Manu Dibango 'Soul Makossa'
from 'Soul Makossa' (1972) (MP3 not available/Import CD)

Rewind: Madlib 'Beat Konducta Vol 1-2' (Part 3)

Welcome to our third and final look at Madlib's 2006 album of movie soundtrack beat sketches titled 'Beat Konducta Vol 1-2'.

For the track 'Understanding (Comprehension)', Madlib samples Black Ivory's 1972 cut 'You and I' from their album 'Don't Turn Around'. Madlib samples another soul joint on 'Snake Charmer (Heads Up)', which uses bits of the Stylistics' 'You're as Right as Rain' from their album 'Round 2'. On 'Old Age (Youngblood)', Madlib samples the similarly titled rock cut 'Old Age' from Rhinoceros' 1970 album 'Better Times are Coming'. Always messing with material considered unsampleable, Madlib again shines by using 'Hitler was a Vegetarian' by the Residents on his track 'Fukwitus (The Eights)'. Moving back to classic soul, 'Whutkanido (Can Do It)' samples the Sam Cooke single 'You Were Made for Me'. The Residents appear again with their track 'End of Home' from 1980's bugged out (and possibly sample-laden in the right hands) 'Commercial Album' which was used for 'The Forest (Greens)'. Finally, the track 'Outerlimit (Space Ho)' cuts up 'An Afterthought' from Black widow's eponymous 1970 album.

To date, Madlib has 6 installments in his Beat Konducta series with further installments in the works. Look for more information on Madlib's production work in upcoming posts on this blog.

The Lowdown:
Madlib 'Understanding (Comprehension)', 'Snake Charmer (Heads Up)', 'Old Age (Youngblood)', 'Fukwitus (The Eights)', 'Whutkanido (Can Do It)', 'The Forest (Greens)', and 'Outerlimit (Space Ho)'
from 'Beat Konducta Vol 1-2' (2006) (MP3/CD)
Black Ivory 'You and I'
'Don't Turn Around' (1972) (MP3 not available/CD not available)
The Stylistics 'You're as Right as Rain'
from 'Round 2' (1971) (MP3/CD)
Rhinoceros 'Old Age'
from 'Better Times are Coming' (1970) (MP3/CD)
The Residents 'Hitler was a Vegetarian'
from 'The Third Reich n' Roll' (1977) (MP3/CD)
Sam Cooke 'You Were Made for Me'
from 'You Were Made for Me' 7" (1958) (MP3 not available/CD not available)
The Residents 'End of Home'
from 'Commercial Album' (1980) (MP3/CD)
Black Widow 'An Afterthought'
from 'Black Widow' (1970) (MP3 not available/Import CD)

Rewind: Madlib 'Beat Konducta Vol 1-2' (Part 2)

Welcome to our second look at the sample sources of Madlib's expansive beat tape 'Beat Konducta Vol 1-2'.

For the heavy diggers, Madlib doesn't disappoint by sampling Lotti Golden's 'Motor-Cycle Michael' on 'Gold Jungle (Tribe)'. By contrast, the source for 'Pyramids (Change)' is the hit single 'Risin' to the Top' from Keni Burke's post-Five Stairsteps 1982 album 'Changes'. Madlib samples Raymond Scott again, this time using the bizarre 'IBM MT/ST: The Paperwork Explosion' for 'West Coast (Coastin')'. For 'Box Top (Cardboard Dues)', Madlib samples 'Trapped' from Elmer Bernstein's soundtrack to the 1974 film 'Gold'. The early solo Diana Ross cut 'Keep an Eye' from her self titled album is the source for Madlib's 'Friends (Foes)'. 'Too Fat (Ghettozone)' uses a sample of Garland Green's 'I Can't Believe You Quit Me' from his 1969 album 'Jealous Kind of Fella'. Finally, the rock band Vanilla Fudge is sampled on 'Money Hugger (Gold Diggin')', which takes part of the 'Rock and Roll' album cut 'Street Walkin' Woman'.

Check back for our third and final look at Madlib's 'Beat Konducta Vol 1-2'.

The Lowdown:
Madlib 'Gold Jungle (Tribe)', 'Pyramids (Change)', 'West Coast (Coastin')', 'Box Top (Cardboard Dues)', 'Friends (Foes)', 'Too Fat (Ghettozone)', and 'Money Hugger (Gold Diggin')'
from 'Beat Konducta Vol 1-2' (2006) (MP3/CD)
Lotti Golden 'Motor-Cycle Michael'
from 'Motor-Cycle' (1969) (MP3 not available/CD not available)
Keni Burke 'Risin' to the Top'
from 'Changes' (1982) (MP3/Import CD)
Raymond Scott 'IBM MT/ST: The Paperwork Explosion'
from 'Manhattan Research Inc.' (2000) (MP3/CD)
Elmer Bernstein 'Trapped'
from 'Gold' (1974) (MP3 not available/CD not available)
Diana Ross 'Keep an Eye'
from 'Diana Ross' (1970) (MP3/CD not available)
Garland Green 'I Can't Believe You Quit Me'
from 'Jealous Kind of Fella' (1969) (MP3 not available/CD not available)
Vanilla Fudge 'Street Walkin' Woman'
from 'Rock and Roll' (1969) (MP3/CD)

Rewind: Madlib 'Beat Konducta Vol 1-2' (Part 1)

'Beat Konducta Vol 1-2' released in 2006 is the first two releases in a series of beat tapes produced by Madlib, containing a series of short instrumentals. This installment of the series is based around 'movie themes' and features some excellent sampling. This blog's three part look at 'Beat Konducta Vol 1-2' will decode Madlib's sample sources.

The album begins with Madlib's 'The Comeback (Madlib)' which features a sample of Dee Dee Sharp's 1965 single 'I Really Love You'. It's been sampled to death, but James Brown's 'The Payback' gets an inventive flip on Madlib's 'The Payback (Gotta)', turning the intro's background vocals into a soul banger. 'Face the Sun (Africa)' finds Madlib sampling 'Time to Face the Sun' from BLO's 1973 album 'Chapter One'. On 'Open (Space)', Madlib interpolates the melody to Kraftwerk's famous b-boy cut (by way of Afrika Bambaataa) 'Trans-Europe Express' from the 1977 album of the same name. As could be easily decoded from it's name, 'Stax (Strings)' has a sample of a Stax artist: Carla Thomas on her 'Memphis Queen' album track 'I've Fallen in Love with You'. A year after J Dilla sampled Raymond Scott on 'Donuts', Madlib also sampled Scott on 'Electric Company (Voltage-Watts)' by cutting up 'Wheels That Go' and 'Baltimore Gas and Electric Co.' (Take 1), both from Raymond Scott's fantastic retrospective 'Manhattan Research, Inc.'. Madlib digs deep for 'Left on Silverlake (Ride)''s sample source: 'The All Golden' from Van Dyke Parks' 1968 LP 'Song Cycle'.

Check back for part 2 of our look at 'Beat Konducta Vol 1-2'.

The Lowdown:
Madlib 'The Comeback (Madlib)', 'The Payback (Gotta)', 'Face the Sun (Africa)', 'Open (Space)', 'Stax (Strings)', 'Electric Company (Voltage-Watts)', and 'Left on Silverlake (Ride)'
from 'Beat Konducta Vol 1-2' (2006) (MP3/CD)
Dee Dee Sharp 'I Really Love You'
from 'I Really Love You' 7" (1965) (MP3 not available/CD not available)
James Brown 'The Payback'
from 'The Payback' (1973) (MP3/CD)
BLO 'Time to Face the Sun'
from 'Chapter One' (1973) (MP3 not available/CD not available)
Kraftwerk 'Trans-Europe Express'
from 'Trans-Europe Express' (1977) (MP3 not available/CD)
Carla Thomas 'I've Fallen in Love with You'
from 'Memphis Queen' (1969) (MP3 not available/CD not available)
Raymond Scott 'Wheels That Go' and 'Baltimore Gas and Electric Co.' (Take 1)
from 'Manhattan Research, Inc.' (2000) (MP3/CD)
Van Dyke Parks 'The All Golden'
from 'Song Cycle' (1968) (MP3/CD)

Producer Profile: Mark the 45 King (Part 2, 1990-1991)

Mark the 45 King was riding high in the late 80s with production credits for Flavor Unit member Queen Latifah and Gang Starr and continued into the 90s with a series of high profile beats for hip-hop's most forward thinking labels at the time.

In 1990, Flavor Unit emcee Chill Rob G released his album 'Ride the Rhythm', produced almost entirely by the 45 King. On 'Court is Now in Session' samples the fantastic cut 'Soul Power 74' from Maceo and the Macks' 1974 album 'Us!' and the hit single 'The Jam' from Graham Central Station's 'Ain't No Doubt About It' from the same year. For the album's title track, the 45 King samples Baby Huey's 'Hard Times' from the famous posthumous Curtis Mayfield produced album 'The Baby Huey Story'. In the same year, the Flavor Unit released the album 'The 45 King Presents the Flavor Unit' which featured the song 'Flavor Unit Assassination Squad', which cut up James Brown's 'Let a Man Come In and Do The Popcorn' from James' 1970 album 'It's a New Day So Let a Man Come in and Do the Popcorn'.

In 1991, Mark the 45 King produced a number of tracks for Delicious Vinyl artist Def Jef's second album 'Soul Food'. On 'A Poet's Prelude', the 45 King deftly samples Sly and the Family Stone's 'Poet' while on 'Fa Sho Shot', the 45 King samples 'Everytime I Turn Around (Back in Love Again)' by L.T.D. - two sample sources that may as well be light years away.

Check back for more on Mark James, the 45 King.

The Lowdown:
Chill Rob G 'Court is Now in Session' and 'Ride the Rhythm'
from 'Ride the Rhythm' (1990) (MP3/CD)
Maceo and the Macks 'Soul Power 74'
from 'Us!' (1974) (MP3 not available/Import CD)
Graham Central Station 'The Jam'
from 'Ain't No Doubt About It' (1974) (MP3/CD)
Baby Huey 'Hard Times'
from 'The Baby Huey Story' (1970) (MP3/CD)
The Flavor Unit 'Flavor Unit Assassination Squad'
from 'The 45 King Presents the Flavor Unit' (1990) (MP3 not available/CD not available)
James Brown 'Let a Man Come In and Do The Popcorn'
from 'It's a New Day So Let a Man Come in and Do the Popcorn' (1970) (MP3 not available/CD not available)
Def Jef 'A Poet's Prelude' and 'Fa Sho Shot'
from 'Soul Food' (1991) (MP3/Import CD)
Sly and the Family Stone 'Poet'
from 'There's a Riot Goin' On' (1971) (MP3/CD)
L.T.D. 'Everytime I Turn Around (Back in Love Again)'
from 'Something to Love' (1977) (MP3 not available/CD)

Related Posts:
Five On It: January 2009's Essentials (Baby Huey Appearance)
Producer Profile: Mark the 45 King (Part 1, 1988-1989)
Source Material: Sly and the Family Stone 'There's a Riot Goin' On'