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Welcome to our second look at 'The Main Ingredient', Pete Rock and C.L. Smooth's sophomore album.What is a hip-hop classic without a James Brown beat? Pete Rock samples James Brown's 'Escape-ism' (as well as Ramsey Lewis' 'Sun Goddess' from Pete Rock and C.L. Smooth's track 'Escapism'. On 'Escape''s outro, Rock samples the Pointer Sisters' killer take on 'Yes We Can Can', originally a Lee Dorsey cut written by Allen Toussaint. On 'The Main Ingredient''s title track, Pete Rock samples 'Psychadelic Shack' by Albino Gorilla, 'Submission' by Tyrone Washington, and Les McCann's 'Harlem Buck Dance Strut' from his 1973 album 'Layers'. 'All the Places' samples two more J.B. cuts: 'Mind Power' and 'Take Some - Leave Some', both from James Brown's 1974 album 'The Payback', as well as the title track from Donald Byrd's 1975 album 'Places and Spaces' produced by Fonce and Larry Mizell. On 'Tell Me', Pete Rock samples the drums from the Detroit Emeralds' breakbeat cut 'You're Getting a Little Too Smart', J.B.'s 'Funky President (People It's Bad)' and 'Don't Tell It', and Stan Getz's 'Keep Dreamin'' from 1977's 'Another World'. During the outro, Pete Rock plays a bit of 'On the Hill' by Oliver Sain. 'Take You There' features samples from Joe Farrell's 'Upon This Rock', the Black Heat cut 'Zimba Ku' from 'Keep on Runnin', and 'Risin' to the Top' from Ken Burke's 'Changes'. Pete Rock samples one of rock's major breakbeats on the outro: Mountain's live version of 'Long Red' from 1972's full length 'Mountain Live'.Check back for the final part of our look at Pete Rock and C.L. Smooth's 'The Main Ingredient'.The Lowdown:
Pete Rock and C.L. Smooth 'Escapism', 'The Main Ingredient', 'All the Places', 'Tell Me', and 'Take You There'
from 'The Main Ingredient' (1994) (MP3/CD)
James Brown 'Escape-ism'
from 'Hot Pants' (1971) (MP3/CD not available)
Ramsey Lewis 'Sun Goddess'
from 'Sun Goddess' (1974) (MP3/CD)
The Pointer Sisters 'Yes We Can Can'
from 'The Pointer Sisters' (1972) (MP3/CD)
Albino Gorilla 'Psychadelic Shack'
from 'Detroit 1984' (1970) (MP3 not available/CD not available)
Tyrone Washington 'Submission'
'Roots' (1971) (MP3 not available/CD not available)
Les McCann 'Harlem Buck Dance Strut'
from 'Layers' (1973) (MP3/CD)
James Brown 'Mind Power' (edit) and 'Take Some - Leave Some'
from 'The Payback' (1974) (MP3/CD)
Donald Byrd 'Places and Spaces'
from 'Places and Spaces' (1976) (MP3/CD)
The Detroit Emeralds 'You're Getting a Little Too Smart'
from 'Detroit Emeralds' (1973) (MP3 not available/CD not available)
James Brown 'Funky President (People It's Bad)'
from 'Reality' (1975) (MP3 not available/CD not available)
James Brown 'Don't Tell It'
from 'Bodyheat' (1976) (MP3 not available/CD not available)
Stan Getz 'Keep Dreamin''
from 'Another World' (1977) (MP3 not available/CD not available)
Oliver Sain 'On the Hill'
from 'The Main Man' (1972) (MP3 not available/CD not available)
Joe Farrell 'Upon This Rock'
from 'Upon This Rock' (1974) (MP3 not available/CD not available)
Black Heat 'Zimba Ku'
from 'Keep on Runnin'' (1975) (MP3/CD)
Keni Burke 'Risin' to the Top'
from 'Changes' (1982) (MP3/Import CD)
Mountain 'Long Red'
from 'Mountain Live' (1972) (MP3 not available/CD)
Related Posts:
Producer Profile: Pete Rock (Part 1, 1991-1993)
Producer Profile: Pete Rock (Part 2, 1994)
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Following the success of their debut album and the eternal hip-hop classic 'They Reminisce Over You', Pete Rock and C.L. Smooth returned in 1994 with their second and final album as a duo. This three part arc will cover the many tracks and many samples used by Pete Rock for the creation of 'The Main Ingredient'.
On the opening track, 'In the House', Pete Rock cropped samples from the Power of Zeus' 'The Sorcerer of Isis'. Deodato's excellent drum break track 'September 13', and the David Axelrod produced 'Capricorn' by Cannonball Adderley. On the song's outro, Rock uses Roy Ayers' 'Ain't Got Time' from the Ubiquity album 'He's Coming' from 1974. Pete Rock and C.L. Smooth's 'Carmel City' features samples from Hugo Montenegro's synth filled 'Dizzy' from his 1969 album 'Moog Power' and Milt Jackson's 'Enchanted Lady' from his 1970 album 'Memphis Jackson'. On 'I Get Physical', C.L. rhymes over George Benson's 'Face It Boy, It's Over' from his 1968 album 'Shape of Things to Come'. 'Sun Won't Come Out' features a classic octopus break beat by sampling Bob James' 'Nautilus' while the outro samples another essential Bob James cut, 'Take Me to the Mardi Gras' from 1975's 'Two' and Billy Joel's smaltzy hit 'Just the Way You Are' from 1977's 'The Stranger'. On the album's lead single, 'I Got a Love', Pete Rock samples the Ambassadors' soul single 'Ain't Got the Love (of One Girl on My Mind)' and Mel and Tim's 'Groovy Situation' from their album 'Good Guys Only Win in the Movies'.
Check back for part 2 of our look at 'The Main Ingredient'.The Lowdown:
Pete Rock and C.L. Smooth 'In the House', 'Carmel City', 'I Get Physical', 'Sun Won't Come Out', and 'I Got a Love'
from 'The Main Ingredient' (1994) (MP3/CD)
Power of Zeus 'The Sorcerer of Isis'
from 'The Gospel According to Zeus' (1970) (MP3 not available/CD not available)
Deodato 'September 13'
from 'Prelude' (1972) (MP3/CD)
Cannonball Adderley 'Capricorn'
from 'Music, You All' (1976) (MP3 not available/CD not available)
Roy Ayers Ubiquity 'Ain't Got Time'
from 'He's Coming' (1972) (MP3/CD)
Hugo Montenegro 'Dizzy'
from 'Moog Power' (1969) (MP3 not available/CD)
Milt Jackson 'Enchanted Lady'
from 'Memphis Jackson' (1970) (MP3 not available/CD not available)
George Benson 'Face It Boy, It's Over'
from 'Shape of Things to Come' (1968) (MP3/CD)
Bob James 'Nautilus'
from 'One' (1974) (MP3/CD)
Bob James 'Take Me to the Mardi Gras'
from 'Two' (1975) (MP3/CD)
Billy Joel 'Just the Way You Are'
from 'The Stranger' (1977) (MP3/CD)
The Ambassadors 'Ain't Got the Love (of One Girl on My Mind)'
from 'Soul Summit' (1969) (MP3 not available/CD)
Mel and Tim 'Groovy Situation'
from 'Good Guys Only Win in the Movies' (1969) (MP3/CD)
Related Posts:
Rewind: Pete Rock and C.L. Smooth 'The Creator'
Producer Profile: David Axelrod (Part 4, 1972-1977) (Cannonball Adderley)
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Like many facets of hip-hop, Pete Rock's history is linked to Jamaica. Peter Phillips is the son of a Jamaican father who DJed in the Bronx. At the age of 17, he caught the ears of producer Marley Marl and at 21, he released the 'All Souled Out' EP with C.L. Smooth. 'The Creator' was covered in a previous post (Rewind: Pete Rock and C.L. Smooth 'The Creator'), so for this post I am going to cover another of 'Souled Out''s many standout tracks: 'Good Life'. 'Good Life', like many of the tracks from Pete Rock and C.L. Smooth's catalog, is dense with soul samples from Pete Rock's deep crates. It's mind boggling to me, but it took 20 posts in this blog to mention the Meters. The Meters track 'Same Old Thing' provides one of this track's samples, along with Eddie Kendrick's 'Girl You Need a Change of Mind' and O'Donel Levy's 'I Wanna Be Where You Are'.
Another big break for Pete Rock came courtesy of his cousin, already established rapper Heavy D, who used some of Rock's beats for his 1991 album 'Peaceful Journey'. Pete Rock's production on the Heavy D and the Boyz posse cut 'Don't Curse', which includes guest spots from an all-star cast of emcees including Big Daddy Kane, Grand Puba, Kool G. Rap, Q-Tip, and C.L. Smooth. 'Don't Curse' draws a sample from 'Hip-Hug-Her' by Booker T and the M.G.'s. The track was a charting hit, but was ultimately overshadowed by the album's much bigger hit 'Now That We Found Love'.
In 1993, Pete Rock contributed to Run D.M.C.'s "gangsta" comeback album 'Down with the King', that may not have been all it was cracked up to be, but showcased some incredible production talent (including tracks by the Bomb Squad, Q-Tip, Jermaine Dupri, and others). 'Down with the King' was the first of three singles released from the album and is THE best late career Run D.M.C. track. 'Down with the King' samples 'Where Do I Go?' by James Rado and Company from the soundtrack to 'Hair'. It might seem like 'Hair' would be an odd place to pick up samples, but a contribution from Galt MacDermot turns up the funk quotient considerably. MacDermot will no doubt be covered in a future post on this blog.
Check back for the next installment on Pete Rock's career, including information on his contributions to 'Illmatic' and 'The Main Ingredient' - two of 1994's most important hip-hop releases.The Lowdown:
Pete Rock and C.L. Smooth 'Good Life'
from 'All Souled Out' (1991) (MP3/CD)
The Meters 'Same Old Thing'
from 'Struttin'' (1969) (MP3/CD)
Eddie Kendricks 'Girl You Need a Change of Mind'
from 'People... Hold On' (1972) (MP3 not available/CD not available)
O'Donel Levy 'I Wanna Be Where You Are'
from 'Dawn of a New Day' (1973) (MP3/CD)
Heavy D and the Boyz 'Don't Curse'
from 'Peaceful Journey' (1991) (MP3/CD not available)
Booker T and the M.G.'s 'Hip-Hug-Her'
from 'Hip-Hug-Her'(1967) (MP3/CD)
Run D.M.C. 'Down with the King'
from 'Down with the King' (1994) (MP3 unavailable/CD unavailable)
James Rado and Company 'Where Do I Go?'
from 'Hair' Soundtrack (1969) (MP3 unavailable/CD)
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The Stalag Riddim (covered in the last post) is the basis for one of dancehall's biggest singles: 'Bam Bam' by sister Nancy. Not only was 'Bam Bam' a huge hit for Sister Nancy and for the dancehall genre, but it had (and still has) huge crossover appeal. Nearly a decade after the single first appeared, 'Bam Bam' became a prime source for hip-hop sampling.
In 1990, Large Professor sampled 'Bam Bam' for Main Source's single 'Just Hangin' Out' from the now classic and rare album 'Breaking Atoms' (word is 'Breaking Atoms', along with all of Wild Pitch's vaults, will be rereleased in 2008). 'Just Hangin' Out' is my personal favorite from 'Breaking Atoms', which has several essential hip-hop cuts. The Stalag Riddim provides a mellow groove to 'Hangin' Out' while the turntable cuts of 'Bam Bam' in the center of the track provide a great nod to Sister Nancy. 'Bam Bam' was used again in 1992 by Pete Rock and C.L. Smooth on 'The Basement' from the fantastically produced 'Mecca and the Soul Brother'. Pete Rock and C.L. have, not surprisingly, been a staple of this blog and a producer profile for Pete Rock is slated for a future post.
Dancehall made a strong comeback in the late 90s and early 00s, leading to more hip-hop tracks incorporating Stalag samples. 2004's single for Biggie-soundalike Guerilla Black, 'Compton', was a bit of a flash in the pan, but still had apt production from Carlos Broady.The Lowdown:
Sister Nancy 'Bam Bam'
from 'One, Two' (1982) (MP3/CD not available)
Main Source 'Just Hangin' Out'
from 'Breaking Atoms' (1990) (MP3/CD not available)
Pete Rock and C.L. Smooth 'The Basement'
from 'Mecca and the Soul Brother' (1992) (MP3/CD)
Guerilla Black 'Compton'
from 'Guerilla City' (2004) (MP3/CD)
Clean Edit: 'Compton'
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Welcome to the first post from the Crate Creator Blog. In the coming months, I'll be showcasing classic and cutting edge hip-hop, the samples that created it, and essential funk joints. Additionally, I'm doing the digging for you: most tracks and releases will be available (via Amazon) with a single click. Amazon's MP3s are 256 kbit, DRM-free, and are under a dollar. Filling your crate with fire has never been so easy!
This debut post reviews a deep cut from the 1991 'All Souled Out' EP from Pete Rock and C.L. Smooth, which would later appear as a B-Side to their monster hit 'They Reminisce Over You': 'The Creator'. Pete Rock's production is stellar, digging deep for the opening horn and drum drop of Eddie Bo's 'From This Day On'. The track has additional samples from 'Honey Pot' by the Mar-Keys and the classic drum breaks of 'Save Me' by Aretha Franklin (from the absolutely essential 1967 album 'I Never Loved a Man the Way I Love You'). 'The Creator' can never compete with the fantastic 'T.R.O.Y.' (which will no doubt be reviewed in depth in a later post on this blog), but the upbeat track fits in nicely among proto-hip-house tracks from Delicious Vinyl and other labels from the same era.
The Lowdown:
Pete Rock and C.L. Smooth 'The Creator'
from 'All Souled Out' (1991) (MP3/CD)
Eddie Bo 'From This Day On'
Mar-Keys 'Honey Pot'
from 'The Great Memphis Soul Sound' (1965) (MP3/CD out of print)
Aretha Franklin 'Save Me'
from 'I Never Loved a Man the Way I Love You' (1967) (MP3/CD)
