Rewind: Kanye West 'Late Registration' (Part 2)

Welcome to the second part of our look at Kanye West's second album 'Late Registration'.

To me, one of the best sample flipped on 'Late Registration' is that of Gil Scott-Heron's forever chilling junkie dirge 'Home is Where the Hatred Is' used for Kanye and Common's 'My Way Home'. West's track leaves much of the sample intact, but the original track is still necessary for complete music collections. Nas makes an appearance on Kanye West's 'We Major' produced by West, Jon Brion, and Warryn Campbell. The song uses samples from Stevie Wonder's 'Superwoman (Where Were You When I Needed You)' from his 1972 album 'Music of My Mind'. Kanye, Cam'ron, and Consequence rhyme over portions of Otis Redding's 'It's Too Late' on the late album track 'Gone'. Finally, the lead single 'Diamonds from Sierra Leone' produced by Kanye, Brion, and Devo Springfield flips Shirley Bassey's theme to 'Diamonds are Forever' from the James Bond film soundtrack of the same name.

'Late Registration' was more successful than its predecessor, 'College Dropout', but both were later eclipsed (in terms of sales) by Kanye West's third album 'Graduation' (which was previously reviewed on this blog).

The Lowdown:
Kanye West 'My Way Home', 'We Major', 'Gone', and 'Diamonds from Sierra Leone'
from 'Late Registration' (2005) (MP3/CD)
Clean Edits: 'My Way Home', 'We Major', 'Gone', and 'Diamonds from Sierra Leone'
Gil Scott-Heron 'Home is Where the Hatred Is'
from 'Pieces of a Man' (1970) (MP3/CD)
Stevie Wonder 'Superwoman (Where Were You When I Needed You)'
from 'Music of My Mind' (1972) (MP3/CD)
Otis Redding 'It's Too Late'
from 'The Great Otis Redding Sings Soul Ballads' (1965) (MP3/CD)
Shirley Bassey 'Diamonds are Forever'
from 'Diamonds are Forever OST' (1972) (MP3/CD)

Related Posts:
Kanye West 'Graduation' (Part 1)
Kanye West 'Graduation' (Part 2)

Rewind: Mos Def 'Black on Both Sides' (Part 2)

Welcome to our second look at Mos Def's 'Black on Both Sides'.

Ayatollah produced the beat for the Talib Kweli and Mos Def team up 'Know That'. The track samples 'Anyone Who Had a Heart' from Dionne Warwick's Burt Bacharach and Hal David produced 1963 album of the same name. Mos Def's excellent track 'Brooklyn' uses a sample from Roy Ayers' Ubiquity project's 'We Live in Brooklyn, Baby' in addition to David Porter's 'I'm Afraid the Masquerade is Over'. Marley Marl's 'The Symphony' posse cut is the source for DJ Etch-A-Sketch's beat for Mos Def's 'Habitat'. Finally, Mos' track with Q-Tip 'Mr. N----', produced by D-Prosper and Mos Def, samples Ramsey Lewis' 'Sun Goddess' and Gil Scott-Heron's 'A Legend in His Own Mind'.

The album received high reviews, respect from the underground, and modest chart success. Mos Def would not record another solo effort until 2004's 'The New Danger', which signaled a dramatic change in his music. Check back for more coverage of Mos Def as well as Black Star in future posts on this blog.

The Lowdown:
Mos Def 'Know That', 'Brooklyn', 'Habitat', and 'Mr. N----'
from 'Black on Both Sides' (1999) (MP3/CD)
Dionne Warwick 'Anyone Who Had a Heart'
from 'Anyone Who Had a Heart' (1963) (MP3/CD)
Roy Ayers Ubiquity' 'We Live in Brooklyn, Baby'
from 'He's Coming' (1972) (MP3 not available/CD not available)
David Porter 'I'm Afraid the Masquerade is Over'
from 'Victim of the Joke?' (1971) (MP3 not available/CD)
Marley Marl 'The Symphony'
from 'In Control, Vol. 1' (1987) (MP3/CD not available)
Ramsey Lewis 'Sun Goddess'
from 'Sun Goddess' (1973) (MP3/CD)
Gil Scott-Heron 'A Legend in His Own Mind'
from 'Real Eyes' (1980) (MP3 not available/CD not available)