The Breaks: 'Get Out of My Life Woman' Covers (Part 1)

Two months ago, we covered Lee Dorsey's break form his cover of Allen Toussaint's legendary 'Get Out My Life Woman' and the producers and artists who sampled it here and here. This month - a different take on the same song: we'll be looking at the producers and artists who sampled other covers of the song in a two part post arc.

Joe Williams has one of the earliest covers of the song with the slightly renamed 'Get Out of My Life' from his 1966 album 'Presenting Joe Williams with Thad Jones and the Mel Lewis Jazz Orchestra'. This song was sampled by Haas G and RNS for an album cut in the UMC's Wild Pitch album 'Fruits of Nature' on a track called 'Woman Be Out'. A year later, the Trackmasters used the same break on the much more notable single 'Ill Street Blues' by Kool G Rap and DJ Polo. In 1993, T-Ray sampled the break for Funkdoobiest's song 'I'm S---ting on 'Em' on the album 'Which Doobie U B?'. Another year later, Large Professor used the cut for Main Source and Large Professor's track on the 'Wild Pitch Classics' compilation titled 'How My Man Went Down in the Game'. In 2000, Jill Scott used the song on her track 'Brotha' produced by Keith Pelzer.

In 1966, the Mad Lads delivered 'Get Out of My Life' on their 'In Action' album. Nearly 3 decades later in 1995, DJ Ralph M would sample the song for Funkdoobiest's 'Superhoes' on the album 'Brothas Doobie'. One of the odder versions of 'Get Out of My Life Woman' comes courtesy of Bill Cosby. On his 1968 album 'Hooray for the Salvation Army Band', Cosby covers 'Get Out of My Life Woman'. Of course this one was sampled too! Chubb Rock and Howie Tee used it in 1991 for the cut 'The Big Man' while in the same year, DJ Muggs used the sample for Cypress Hill's 'Stoned is the Way of the Walk' from their self-titled debut album. In 1992, DJ Premier sampled Cosby for Gang Starr's 'The Illest Brother' from their essential album 'Daily Operation'. Finally, in 1994, the Digable Planets sampled the song on 'Jettin'' from their second and final album 'Blowout Comb'.

Check back for more 'Get Out of My Life Woman' covers and more hip-hop cuts based on them.

The Lowdown:
Joe Williams 'Get Out of My Life'
from 'Presenting Joe Williams with Thad Jones and the Mel Lewis Jazz Orchestra' (1966) (MP3/CD not available)
The UMC's 'Woman Be Out'
from 'Fruits of Nature' (1991) (MP3/CD not available)
Kool G Rap and DJ Polo 'Ill Street Blues'
from 'Live and Let Die' (1992) (MP3/CD)
Funkdoobiest 'I'm S---tin' On 'Em'
from 'Which Doobie U B?' (1993) (MP3/CD not available)
Main Source and Large Professor 'How My Man Went Down in the Game'
from 'Wild Pitch Classics' (1994) (MP3/CD)
Jill Scott 'Brotha'
from 'Who is Jill Scott?' (2000) (MP3/CD)
Mad Lads 'Get Out of My Life'
from 'In Action' (1966) (MP3/CD)
Funkdoobiest 'Superhoes'
from 'Brothas Doobie' (1995) (MP3/CD not available)
Bill Cosby 'Get Out of My Life Woman'
from 'Hooray for the Salvation Army Band' (1968) (MP3/CD not available)
Chubb Rock 'The Big One'
from 'The One' (1991) (MP3/CD)
Cypress Hill 'Stoned is the Way of the Walk'
from 'Cypress Hill' (1991) (MP3/CD)
Gang Starr 'The Illest Brother'
from 'Daily Operation' (1992) (MP3/CD)
Digable Planets 'Jettin''
from 'Blowout Comb' (1994) (MP3/CD)

Bonus Cut:
Kool G Rap and DJ Polo 'Ill Street Blues' (Acapella)

Source Material: James Brown 'Black Caesar' (Part 2)

Welcome to part two of our look at James Brown soundtrack for 'Black Caesar'.

Sure, 'Down and Out...' and 'The Boss' are obvious tracks to sample, but hip-hop's finest have made use of some of 'Black Caesar''s lesser known album cuts too. Large Professor assisted Kool G Rap on the production of 'Play it Again, Polo' which used a sample of 'Black Caesar''s album cut 'Make it Good to Yourself'. James wrote and produced much of Lyn Collins' output, including her vocal contribution to 'Black Caesar' titled 'Mama Feelgood'. The blazing funk of 'Mama Feelgood' was used by Marley Marl for Big Daddy Kane's 1988 track 'Raw' from the album 'Long Live Kane'. Primo dips into James Brown's back catalog again for the beat to Gang Starr's 'I'm The Man' from their classic 'Daily Operation' album. DJ Premier sampled the 'Black Caesar' album cut 'White Lightning (I Mean Moonshine)' for 'I'm the Man'.

The film 'Black Caesar' was a success, as was the soundtrack. The team behind the film quickly started to develop a sequel that was released in late 1973 and titled 'Hell Up in Harlem'. James Brown was originally attached for the score, but (as the legend goes) had his music reject as it was not "funky enough" for the film. The song that was rejected would later be the title track to his 1974 album 'The Payback'. Notably, the soundtrack to 'Hell Up in Harlem' was ably handled by Edwin Starr, Fonce Mizell, and Freddie Perren - look for a future post regarding the 'Hell Up in Harlem' soundtrack.

The Lowdown:
James Brown 'Make it Good to Yourself' and 'White Lightning (I Mean Moonshine)'
from 'Black Caesar' (1973) (MP3/CD)
Kool G Rap and DJ Polo 'Play it Again, Polo'
from 'Wanted: Dead or Alive' (1990) (MP3/CD not available)
Lyn Collins 'Mama Feelgood'
from 'Black Caesar' (1973) (MP3/CD)
Big Daddy Kane 'Raw'
from 'Long Live Kane' (1988) (MP3 not available/CD)
Gang Starr 'I'm the Man'
from 'Daily Operation' (1992) (MP3/CD)

Producer Profile: Large Professor (part 1, 1990-1992)

In 1990, under the tutelage of producer Paul C, Harlem-born Large Professor programmed beats behind the scenes for Eric B. and Rakim's album 'Let the Rhythm Hit 'Em' at the age of 17. In the following years, Large Professor would lend production to two of hip-hop's most influential albums of all time: 'Breaking Atoms' and 'Illmatic'.

Large Professor produced two tracks for Cold Chillin' rap unit Kool G Rap and DJ Polo's album 'Wanted: Dead or Alive'. The album's opening track, 'Streets of New York' contains a sample of the Fatback Band's 'Gotta Learn How to Dance'. Large Pro's stock hit the stratosphere in 1991 when 'Breaking Atoms' by Main Source was released (the album was covered extensively in two past posts in this blog here and here). One of 'Breaking Atoms''s biggest tracks is 'Live at the Barbeque'; built on a crushing sample of Bob James' 'Nautilus', it also introduces the world to Nas. Though 'Illmatic' was not released until 1994, Nas' first single 'Halftime' (originally released under the name Nasty Nas) was released in 1992. 'Halftime' contains drum samples from Average White Band's 'School Boy Crush. I'm personally not the biggest fan of AWB, but 'School Boy Crush' is an absolutely essential open drum track.

Check back to this blog for part 2 of the Large Professor Producer Profile for coverage of Nas and ATCQ.

The Lowdown:
Kool G Rap and DJ Polo 'Streets of New York'
from 'Wanted: Dead or Alive' (1990) (MP3/CD not available)
The Fatback Band 'Gotta Learn How to Dance'
from 'Yum Yum' (1975) (MP3 not available/CD)
Main Source 'Live at the Barbeque'
from 'Breaking Atoms' (1991) (MP3/CD)
Bob James 'Nautilus'
from 'One' (1974) (MP3/CD)
Nas 'Halftime'
from 'Illmatic' (1994) (MP3/CD)
Clean Edit: 'Halftime'
Average White Band 'School Boy Crush'
from 'Cut the Cake' (1975) (MP3/CD)