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In 2001, Beanie Sigel released his sophomore effort 'The Reason'. Like much of Roc-a-fella's output from the early 00s, this album has a soulful sound with numerous contributions from the in house production team of Just Blaze and Kanye West. This blog post will cover the key cuts from 'The Reason' and the samples used to create them.Just Blaze produced the track 'So What You Saying' for Bean and label mate Memphis Bleek. The track samples B.T. Express' often used 'If It Don't Turn You On (You Ought to Leave It Alone)' from their 1974 album 'Do It ('Til Your Satisfied)'. Blaze also laces Sigel with the bumping 'Get Down' which is cut from Quincy Jones' title track from his soundtrack to 'The Lost Man'. Chicago veteran producer and Kanye mentor No I.D. contributes the beat for 'Man's World' which is deftly constructed from James Brown's 'It's a Man's, Man's, Man's World' from the 1966 album of the same title. 'Still Got Love For You' finds Just Blaze using the huge break from Isaac Hayes' 'Ike's Mood I' from his album ''...To Be Continued''.Look out for more Roc classics from this period to be covered in future posts on this blog.The Lowdown:
Beanie Sigel 'So What You Saying', 'Get Down', 'Man's World', and 'Still Got Love For You'
from 'The Reason' (2001) (MP3/CD)
Clean Edits: 'So What You Saying', 'Get Down', 'Man's World', and 'Still Got Love For You'
B.T. Express 'If It Don't Turn You On (You Ought to Leave It Alone)'
from 'Do It ('Til Your Satisfied)' (1974) (MP3/CD)
Quincy Jones 'Lost Man'
from 'The Lost Man' (1968) (MP3 not available/CD not available)
James Brown 'It's a Man's, Man's, Man's World'
from 'It's a Man's, Man's, Man's World' (1966) (MP3 not available/CD not available)
Isaac Hayes 'Ike's Mood I' (Radio Edit)
from '...To Be Continued' (1969) (MP3/CD)
Related Posts:
Producer Profile: Kanye west (Part 1, 2000) (Beanie Sigel Appearance)
Producer Profile: Just Blaze (Part 1, 2000-2001) (Beanie Sigel Appearance)
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Welcome to our second look at the sample base of Dr. Dre's 1992 classic 'The Chronic'.
The deep album track 'A N---- Witta Gun' takes its famous refrain from the Kay Gees' 'Who's the Man (with the Master Plan)' which has been sampled quite a bit over the years. Additionally, the track samples Johnny Hammond Smith's 'Big Sur Suite' from his 1974 album 'Higher Ground'. One of my favorite non-singles from 'The Chronic' is the bombastic 'Lyrical Gangbang' which speeds up the open drum break from Led Zeppelin's 'When the Levee Breaks' to stunning effect. 'Stranded on Death Row' (notably with Geto Boy Bushwick Bill) samples Isaac Hayes' live version of 'Do Your Thing' from his Stax double album 'Live at the Sahara Tahoe' and also uses B.T. Express' useful 'If it Don't Turn You On (You Ought to Leave it Alone)'. Finally, the closing track 'The Roach' heavily cribs another P-Funk song, this time the single 'P Funk (Wants to Get Funked Up)' from Parliament's album 'Mothership Connection'.
Following the run-away success of 'The Chronic', Dre produced the debut album for his protégé Snoop Dogg which was released less than a year after 'The Chronic'. Dre's tenure at Death Row would last less than two more years before he moved on to his own label called Aftermath. In future posts, we will cover 'Doggystyle', more of Dre's production work, and the sample basis for his 1999 sophomore album titled '2001'.The Lowdown:
Dr. Dre 'A N---- Witta Gun', 'Lyrical Gangbang', 'Stranded on Death Row', and 'The Roach '
from 'The Chronic' (1992) (MP3 not available/CD)
The Kay Gees 'Who's the Man (with the Master Plan)'
from 'Keep on Bumpin and Master Plan' (1974) (MP3 not available/CD not available)
Johnny Hammond Smith 'Big Sur Suite'
from 'Higher Ground' (1974) (MP3 not available/Import CD)
Led Zeppelin 'When the Levee Breaks'
from 'Led Zeppelin IV' (1971) (MP3/CD)
Isaac Hayes 'Do Your Thing' (Live)
from 'Live at the Sahara Tahoe' (1973) (MP3/CD)
B.T. Express 'If it Don't Turn You On (You Ought to Leave it Alone)'
from 'Do It Till Your Satisfied' (1974) (MP3/CD)
Parliament 'P-Funk (Wants to Get Funked Up)'
from 'Mothership Connection' (1976) (MP3/CD)
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After forming in the early 90s, the Lootpack's first big break with their production and guest verse contribution to the Alkaholik's '21 & Over' album cut 'Turn tha Party Out' in 1993. Six years later, the Lootpack (made up of Madlib, Wildchild, and DJ Romes), released their first (and to date, only) album titled 'Soundpieces: Da Antidote'. This two part arc will cover the sample sources for this early Madlib production credit.
The album's single 'Whenimondamic' samples B.T. Express' 'Do it ('Til Your Satisfied)' album track 'If It Don't Turn You On (You Outta Leave It Alone)'. The album track 'Crate Diggin'', as the name implies, digs a little deeper for Vanilla Fudge's cover of the Beatles' 'Eleanor Rigby' and David Axelrod's 'Merlin's Prophecy' from his 1968 debut album 'Song of Innocence'. On 'Frenz Vs Endz', Madlib samples Miles Davis' classic album 'Bitches Brew' by plucking bits from 'Miles Tuns the Voodoo Down'.
Check back for the second part of our look at 'Soundpieces: Da Antidote'.The Lowdown:
Lootpack 'Whenimondamic', 'Crate Diggin'', and 'Frenz vs Endz'
from 'Soundpieces: Da Antidote' (1999) (MP3/CD not available)
B.T. Express 'If It Don't Turn You On (You Outta Leave It Alone)'
from 'Do it ('Til Your Satisfied)' (1974) (MP3/CD)
Vanilla Fudge 'Eleanor Rigby'
from 'Vanilla Fudge' (1966) (MP3/CD)
David Axelrod 'Merlin's Prophecy'
from 'Song of Innocence' (1968) (MP3 not available/CD not available)
Miles Davis 'Miles Tuns the Voodoo Down'
from 'Bitches Brew' (1969) (MP3/CD)
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One of Dr. Dre's best post-'Straight Outta Compton' / pre-'The Chronic' production works is the debut album by future Death Row labelmates Above the Law. 1990's 'Livin' Like Hustlers' is the lone album produced by Dre; despite their link to Death Row, Dr. Dre would not return to the boards for their future albums. This two post arc will cover the samples used in one of the West Coast's most overlooked albums.
'Untouchable' is underpinned by the familiar James Brown 'Funky Drummer' break, but also uses samples from Young Holt Unlimited's cover of 'Light My Fire' by the Doors and Quincy Jones' 'Ironside' (most known for its recent use in 'Kill Bill'). The title track to 'Livin' like Hustlers' also samples further from Quincy Jones' 'Smackwater Jack' album, knicking bits of 'Hikky Burr'. It also features another JB sample, the track 'Hot (I Need to Be Loved Loved Loved Loved)' from his 1976 album 'Hot!'.
Above the Law's 'Menace to Society' goes to town with its use of B.T. Express samples, sourcing no less than three tracks from the Express' 1974 hit LP 'Do It ('Til You're Satisfied)'. Dre uses 'This House is Smokin'', 'Once You Get It', and 'Do You Like It' for the backing of 'Menace'.
Check back for part 2 of our look at 'Livin' Like Hustlers'.The Lowdown:
Above the Law 'Untouchable', 'Livin' Like Hustlers', and 'Menace to Society'
from 'Livin' Like Hustlers' (1989) (MP3/CD)
James Brown 'Funky Drummer'
Young Holt Unlimited 'Light My Fire'
from 'Just a Melody' (1969) (MP3 not available/CD not available)
Quincy Jones 'Ironside' and 'Hikky Burr'
from 'Smackwater Jack' (1970) (MP3/Import CD)
James Brown 'Hot (I Need to Be Loved Loved Loved Loved)'
from 'Hot!' (1976) (MP3 not available/CD not available)
B.T. Express 'This House is Smokin'', 'Once You Get It', and 'Do You Like It'
from 'Do It ('Til You're Satisfied)' (1974) (MP3/CD)
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In 1987, Mark James produced the breakout single 'The 900 Number' under the name Mark the 45 King. '900 number' was a smash, famously appearing on Yo! MTV Raps as the background music to the Ed Lover Dance and it eventually becoming the backing for DJ Kool's 1996 smash single 'Let Me Clear My Throat'. '900 Number' famously uses the opening horn riff from the James Brown produced 'Unwind Yourself' by Marva Whitney. 'Let Me Clear My Throat' also incorporates the opening to Kool and the Gang's 'Hollywood Swinging', which is an easy party starter.
In 1989, 45 King produced tracks for 'All Hail the Queen' by Queen Latifah, who had previously been one of the members of 45 King's Flavor Unit. The album's first single was the 45 King produced 'Dance for Me', which samples Alvin Cash's breakbeat monster 'Keep on Dancing' and 80s new wave band The The's 'Sweet Bird of Truth'. In the same year, 45 King provided a beat to Gang Starr's debut album on Wild Pitch titled 'No More Mr. Nice Guy' (it's notable that this is a rare instance where a Gang Starr track is not produced by DJ Premier and/or Guru). 'Gusto' is laced with samples from Curtis Mayfield's 'Superfly' single 'Freddie's Dead' and 'Express' by B.T. Express.
Check back for part 2 of this blog's profile of Mark the 45 King, including his long silence broken by one of Jay-Z most memorable singles.The Lowdown:
Mark the 45 King 'The 900 Number'
from 'The 900 Number' (1990) (MP3 not available/CD)
DJ Kool 'Let Me Clear My Throat'
from 'Let Me Clear My Throat' (1996) (MP3 not available/CD not available)
Marva Whitney 'Unwind Yourself'
from 'It's My Thing' (1969) (MP3 not available/Import CD)
Kool and the Gang 'Hollywood Swinging'
from 'Wild and Peaceful' (1973) (MP3/CD)
Queen Latifah 'Dance for Me'
from 'All Hail the Queen' (1989) (MP3/CD)
Alvin Cash 'Keep on Dancing'
The The 'Sweet Bird of Truth'
from 'Infected' (1986) (MP3/CD not available)
Gang Starr 'Gusto'
from 'No More Mr. Nice Guy' (1989) (MP3/CD)
Curtis Mayfield 'Freddie's Dead'
from 'Superfly' (1972) (MP3/CD)
B.T. Express 'Express'
from 'Do It ('Til You're Satisfied)' (1972) (MP3/CD)
