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Welcome to our second look at Mos Def's 'Black on Both Sides'.
Ayatollah produced the beat for the Talib Kweli and Mos Def team up 'Know That'. The track samples 'Anyone Who Had a Heart' from Dionne Warwick's Burt Bacharach and Hal David produced 1963 album of the same name. Mos Def's excellent track 'Brooklyn' uses a sample from Roy Ayers' Ubiquity project's 'We Live in Brooklyn, Baby' in addition to David Porter's 'I'm Afraid the Masquerade is Over'. Marley Marl's 'The Symphony' posse cut is the source for DJ Etch-A-Sketch's beat for Mos Def's 'Habitat'. Finally, Mos' track with Q-Tip 'Mr. N----', produced by D-Prosper and Mos Def, samples Ramsey Lewis' 'Sun Goddess' and Gil Scott-Heron's 'A Legend in His Own Mind'.
The album received high reviews, respect from the underground, and modest chart success. Mos Def would not record another solo effort until 2004's 'The New Danger', which signaled a dramatic change in his music. Check back for more coverage of Mos Def as well as Black Star in future posts on this blog.The Lowdown:
Mos Def 'Know That', 'Brooklyn', 'Habitat', and 'Mr. N----'
from 'Black on Both Sides' (1999) (MP3/CD)
Dionne Warwick 'Anyone Who Had a Heart'
from 'Anyone Who Had a Heart' (1963) (MP3/CD)
Roy Ayers Ubiquity' 'We Live in Brooklyn, Baby'
from 'He's Coming' (1972) (MP3 not available/CD not available)
David Porter 'I'm Afraid the Masquerade is Over'
from 'Victim of the Joke?' (1971) (MP3 not available/CD)
Marley Marl 'The Symphony'
from 'In Control, Vol. 1' (1987) (MP3/CD not available)
Ramsey Lewis 'Sun Goddess'
from 'Sun Goddess' (1973) (MP3/CD)
Gil Scott-Heron 'A Legend in His Own Mind'
from 'Real Eyes' (1980) (MP3 not available/CD not available)
After gaining underground cred with the rap group All in Together Now with his cousins and later Wu-Tang collaborators RZA and Ol' Dirty Bastard, Gary Grice signed a record deal with Cold Chillin' Records and debuted with 1990's 'Words from the Genius' as the Genius. Three years later, the Genius broke out as the GZA on the debut album by the Wu-Tang Clan, 1993's triumphant 'Enter the Wu-Tang (36 Chambers)'. GZA's second album would follow in 1995 and would become a hip-hop classic. This two part post will uncover the sample sources of GZA's album 'Liquid Swords'.The album's lead track and highest charting single (breaking only halfway up the Billboard 100) is 'Liquid Swords'. The RZA produced monster heavily samples Willie Mitchell's 'Groovin'' (as well as 'Mercy Mercy Mercy') and also nicks Al Green's 'That's the Way it Is' from his 1976 album 'Full of Fire'. 'Duel of the Iron Mic' samples 'I'm Afraid the Masquerade is Over' from David Porter's concept album 'Victim of the Joke?' released in 1971 on Stax. 'Living in the World Today' samples an early Bar-Kays track called 'In the Hole' from their album 'Gotta Groove'.
Check back for the second part of our look at 'Liquid Swords'.The Lowdown:
GZA/Genius 'Liquid Swords', 'Duel of the Iron Mic', and 'Living in the World Today'
from 'Liquid Swords' (1995) (MP3/CD)
Willie Mitchell 'Groovin'' and 'Mercy Mercy Mercy'
from 'Solid Soul' (1969) (MP3 not available/CD not available)
Al Green 'That's the Way it is'
from 'Full of Fire' (1976) (MP3/CD)
David Porter 'I'm Afraid the Masquerade is Over'
from 'Victim of the Joke?' (1971) (MP3 not available/ CD)
Bar-Kays 'In the Hole'
from 'Gotta Groove' (1969) (MP3/CD)
BONUS CUT:
It's a new day in America this morning. Good looking Pennsylvania, Ohio, and Florida. Lee Dorsey 'Yes We Can'.
Formed in 1988 and found by EPMD at a talent show, Das EFX's platinum selling debut 'Dead Serious' became part of the soundtrack of 1992 with a series of charting singles with some popular sample sources. This entry into the Crate Creator blog will look at Das EFX's debut album in depth.Lead single B-Side 'Jussummen' takes its refrain (and a few samples) from Slick Rick and Doug E. Fresh's classic 1985 b-side 'La-Di-Da-Di' from their 'The Show' 12". 'Jussummen' also samples the Emotions' open break necessity 'Blind Alley' produced by David Porter for Stax. Das EFX's biggest single was their debut track 'They Want EFX', which samples James Brown's 'Black Caesar' soundtrack album cut 'Blind Men Can See It' as well as the heavy title track from his 1973 album 'The Payback'. Also sampled on 'They Want EFX' is Malcolm McLarens cash-in turned classic 'Buffalo Gals' from the highly suspect 'Duck Rock' album. The album track 'Dum Dums' takes its name from its source material: 'The Happy Song (Dun-Dum)' by Otis Redding. Finally, Das EFX's 'East Coast' samples East Coast phenoms ESG who emulated extra-terrestrial phenomena on 'UFO'. The track also samples Isaac Hayes' 'Ike's Mood I / You've Lost that Lovin' Feelin'' from '...To Be Continued' (worth the price of the album on its own) and the beat from James Brown's 'Funky President (People It's Bad)' from his 1975 album 'Reality'.The reality of Das EFX's career was their signature rhyming style would be their downfall. After hitting big with the 'Check Yo Self' remix with Ice Cube, many other emcees bit their 'iggity' rhyme style, prompting Das EFX to drop it and more or less drop off themselves. Although they've released four albums since their debut, none have been able to copy the success of 'Dead Serious'.The Lowdown:
Das EFX 'Jussummen', 'They Want EFX', 'Dum Dums', and 'East Coast'
from 'Dead Serious' (1992) (MP3 not available/CD)
Slick Rick and Doug E. Fresh 'La-Di-Da-Di'
from 'The Show' (1985) (MP3 not available/CD not available)
The Emotions 'Blind Alley'
from 'Untouched' (1971) (MP3/CD)
James Brown 'Blind Man Can See It'
from 'Black Caesar' (1973) (MP3/CD)
James Brown 'The Payback'
from 'The Payback' (1973) (MP3/CD)
Malcolm McLaren 'Buffalo Gals'
from 'Duck Rock' (1983) (MP3/CD not available)
Otis Redding 'The Happy Song (Dun-Dum)'
from 'The Immortal Otis Redding' (1968) (MP3/CD)
ESG 'UFO'
from 'ESG' (1981) (MP3 not available/CD not available)
Isaac Hayes 'Ike's Mood I / You've Lost that Lovin' Feelin''
from '...To Be Continued' (1969) (MP3/CD)
James Brown 'Funky President (People It's Bad)'
from 'Reality' (1975) (MP3 not available/CD not available)
